5.8
Viewer Rating
Combines user and critic ratings from four sources
One Minute to Zero (1952)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 5.8
Overview
An idealistic United Nations official learns the harrowing truth about war when she falls in love with an American officer charged with the evacuation of civilians. As hostilities escalate, the officer and his small detachment are left to hold the line until allied forces can be brought into action.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
An idealistic United Nations official learns the harrowing truth about war when she falls in love with an American officer charged with the evacuation of civilians. As hostilities escalate, the officer and his small detachment are left to hold the line until allied forces can be brought into action.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's dominant themes align with right-leaning values by emphasizing the necessity of military action and difficult decisions to combat communist aggression during the Korean War, despite acknowledging the tragic human cost.
The film utilizes traditional casting with a predominantly white ensemble, consistent with Hollywood productions of its era. The narrative frames traditional identities in a neutral to positive light, without incorporating explicit DEI themes or critiques, reflecting the filmmaking conventions of the early 1950s.
Secondary
The film portrays Christianity as a source of moral guidance and comfort amidst the brutality of war. Characters often grapple with ethical dilemmas, and their faith provides a framework for understanding their actions and seeking solace, affirming its role in resilience.
The film "One Minute to Zero" does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on a heterosexual romance between a UN colonel and a Red Cross worker during the Korean War, with no elements related to queer identity or experiences present in the storyline.
One Minute to Zero (1952) is a war drama set during the Korean War. The film's plot and character arcs do not include any identifiable transsexual characters or themes, resulting in no depiction of transgender identity within its narrative.
The movie does not contain any action or adventure elements.
This 1952 film is an original production, not an adaptation of existing source material or a reboot with established characters. Therefore, there are no pre-existing canonical or historical characters whose gender could have been altered for this portrayal.
This 1952 film is an original production, not an adaptation of existing source material or a biopic of specific historical figures. Its characters were created for this movie, meaning there is no prior canonical or historical racial establishment to be altered.
Viewer Rating Breakdown
User Ratings
5.8
5.8
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.0
The Postman Always Rings Twice
(1946)
Political: Center
Diversity: Low
Leans Traditional
8.0
One Way Passage
(1932)
Political: Center
Diversity: Low
Traditional
6.5
The Journey
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Enigma
(2001)
Political: Center
Diversity: Low
Traditional
8.0
Wings
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
From Here to Eternity
(1953)
Political: Center
Diversity: Low
Traditional
7.6
Doctor Zhivago
(1965)
Political: Leans Right
Diversity: Low
Traditional
7.9
Mrs. Miniver
(1942)
Political: Leans Right
Diversity: Low
Traditional
8.7
Gone with the Wind
(1939)
Political: Strong Right
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Grass Is Greener
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.1
Blood on the Moon
(1948)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Lusty Men
(1952)
Political: Center
Diversity: Low
Traditional
7.9
Cape Fear
(1962)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Cyrano
(1974)
Political: Center
Diversity: Low
Traditional
8.7
On the Waterfront
(1954)
Political: Leans Right
Diversity: Low
Traditional
8.4
The Deer Hunter
(1978)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Leans Traditional
6.9
Where the Boys Are
(1960)
Political: Center
Diversity: Low
Traditional
7.6
Risky Business
(1983)
Political: Leans Right
Diversity: Low