5.7
Viewer Rating
Combines user and critic ratings from four sources
The Redhead from Wyoming (1953)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.7
Overview
A saloonkeeper sides with the sheriff for justice after she's framed for rustling.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Overview
A saloonkeeper sides with the sheriff for justice after she's framed for rustling.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film presents a classic Western narrative centered on lawlessness and power struggles in a developing territory, with a strong female protagonist navigating these challenges. Its focus on universal themes of justice and order, alongside a nuanced portrayal of individual ambition and societal development, prevents it from explicitly promoting a partisan ideology.
This 1953 Western features a cast predominantly composed of traditional identities, consistent with the era's typical casting practices. The narrative focuses on a standard Western plot without explicitly critiquing traditional identities or centering on DEI themes.
Secondary
The film 'The Redhead from Wyoming' does not feature any discernible LGBTQ+ characters or themes within its plot. The narrative centers on traditional Western conflicts and romantic interests, leading to a determination of N/A for LGBTQ+ portrayal.
The film 'The Redhead from Wyoming' (1953) is a Western that does not feature any identifiable transsexual characters or themes. Its narrative focuses on a cattle war and a strong female protagonist, with no elements related to transgender identity present in its story.
The movie does not contain any action or adventure elements.
The Redhead from Wyoming (1953) is an original Western film. Its characters were created for this specific production and do not derive from prior source material, historical figures, or previous installments with established genders. Therefore, no gender swaps occurred.
The film is a fictional Western from 1953. Its characters are original to the film's narrative or loosely inspired by historical archetypes without prior established racial canon that would allow for a race swap.
Viewer Rating Breakdown
User Ratings
6.1
6.1
Critic Ratings
5.0
N/A
More Like This
Traditional
6.8
Big Jake
(1971)
Political: Strong Right
Diversity: Low
Traditional
7.5
Pale Rider
(1985)
Political: Leans Right
Diversity: Low
Traditional
7.3
Open Range
(2003)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
The Outlaw Josey Wales
(1976)
Political: Leans Right
Diversity: Moderate
Traditional
7.8
3:10 to Yuma
(2007)
Political: Leans Right
Diversity: Low
Leans Traditional
8.7
No Country for Old Men
(2007)
Political: Center
Diversity: Low
Traditional
8.0
Bend of the River
(1952)
Political: Leans Right
Diversity: Low
Traditional
8.4
My Darling Clementine
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Duel in the Sun
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
High Plains Drifter
(1973)
Political: Center
Diversity: Low
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
The Assassination of Jesse James by the Coward Robert Ford
(2007)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Traditional
8.3
El Dorado
(1966)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Annie Get Your Gun
(1950)
Political: Leans Right
Diversity: Low
Traditional
7.1
Hour of the Gun
(1967)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
The Missouri Breaks
(1976)
Political: Center
Diversity: Low
Traditional
8.7
Stagecoach
(1939)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Two Mules for Sister Sara
(1970)
Political: Center
Diversity: Low
Traditional
8.7
Red River
(1948)
Political: Leans Right
Diversity: Low