9.2
Viewer Rating
Combines user and critic ratings from four sources
Rear Window (1954)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 9.2
Overview
A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily explores universal themes of human nature, observation, privacy, and the search for truth within an urban setting, without explicitly promoting or critiquing specific political ideologies from either the left or the right.
The movie features a predominantly white cast in traditional roles, consistent with the casting norms of its production era. The narrative focuses on suspense and human observation, without engaging in explicit critiques of traditional identities or incorporating intentional DEI themes.
Secondary
The film portrays Miss Lonelyhearts, a Christian character, with deep sympathy and nuance. Her faith is depicted as a genuine source of comfort and resilience during her profound loneliness and despair, without any narrative critique or mockery.
Alfred Hitchcock's 'Rear Window' does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily explores heterosexual relationships, voyeurism, and a murder mystery, without engaging with queer identity in any capacity.
Rear Window (1954) does not feature any identifiable transsexual characters or themes. The narrative centers on a confined photographer's observations of his neighbors and a potential crime, with no elements related to transgender identity or experiences. Therefore, the film receives an N/A rating for its portrayal.
The movie does not contain any action or adventure elements.
The 1954 film "Rear Window" is an adaptation of Cornell Woolrich's short story "It Had to Be Murder." All significant characters in the film maintain the same gender as established in the original source material.
The 1954 film "Rear Window" is an adaptation of Cornell Woolrich's 1942 short story "It Had to Be Murder." All major characters in the film, including L.B. Jefferies and Lisa Carol Fremont, are portrayed by actors whose race aligns with the implied or explicit racial identities from the source material, with no instances of a character being depicted as a different race.
Viewer Rating Breakdown
User Ratings
8.5
8.3
Critic Ratings
9.9
10.0
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