8.0
Viewer Rating
Combines user and critic ratings from four sources
Riot in Cell Block 11 (1954)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 8.0
Overview
A prisoner leads his counterparts in a protest for better living conditions which turns violent and ugly.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
A prisoner leads his counterparts in a protest for better living conditions which turns violent and ugly.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film critiques the inhumane conditions and systemic failures of the penal system, advocating for pragmatic reforms to ensure basic human dignity and effective institutional management. Its focus on institutional critique and the need for reform aligns with left-leaning values.
This 1954 prison drama features a cast predominantly composed of white males, consistent with the era and genre, without any intentional diversity-driven casting. The narrative focuses on the inmates' struggle against the prison system, critiquing institutional failures rather than traditional identities or explicit DEI themes.
Secondary
The film 'Riot in Cell Block 11' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is solely dedicated to depicting a prison riot and the harsh conditions within the correctional system, with no elements related to queer identity or experiences.
This 1954 prison drama does not include any identifiable transsexual characters or themes. Its narrative is centered on a male inmate population and their demands during a riot, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
Riot in Cell Block 11 is an original film from 1954, not an adaptation of pre-existing material or a biopic. All characters were created for this film, thus there are no instances of a character's gender being changed from a prior established version.
The film "Riot in Cell Block 11" features original characters and is not an adaptation of pre-existing material or a biopic of specific historical figures. Therefore, no characters had an established race that could have been altered.
Viewer Rating Breakdown
User Ratings
7.0
7.0
Critic Ratings
10.0
N/A
More Like This
Leans Traditional
7.7
Charley Varrick
(1973)
Political: Center
Diversity: Low
Traditional
7.4
Coogan's Bluff
(1968)
Political: Leans Right
Diversity: Low
Traditional
6.7
Madigan
(1968)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Heat
(1995)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Detective
(1968)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
7.0
Hard Times
(1975)
Political: Leans Right
Diversity: Low
Center
7.1
Bad Santa
(2003)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Center
7.0
Desperately Seeking Susan
(1985)
Political: Leans Left
Diversity: Low
Leans Progressive
8.0
Blue Collar
(1978)
Political: Strong Left
Diversity: Moderate
Leans Traditional
7.0
The Offence
(1973)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
7.1
The Sugarland Express
(1974)
Political: Center
Diversity: Low
Leans Traditional
8.0
Blue Velvet
(1986)
Political: Center
Diversity: Low
Progressive
7.8
Promising Young Woman
(2020)
Political: Strong Left
Diversity: High
Leans Traditional
7.4
Hustle & Flow
(2005)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Center
8.0
In Cold Blood
(1967)
Political: Leans Left
Diversity: Low
LGBTQ: Neutral
Center
7.0
Perry Mason: The Case of the Telltale Talk Show Host
(1993)
Political: Center
Diversity: Moderate