6.0
Viewer Rating
Combines user and critic ratings from four sources
Picnic (1955)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 6.0
Overview
Labor Day in a small Kansas farm town. Hal, a burly and resolute drifter, jumps off a dusty freight train car with the purpose of visiting Alan, a former college classmate and son of the richest man in town.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Left
Diversity: Low
Christianity: Negative
Overview
Labor Day in a small Kansas farm town. Hal, a burly and resolute drifter, jumps off a dusty freight train car with the purpose of visiting Alan, a former college classmate and son of the richest man in town.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film critiques the stifling conformity and unfulfilled desires within a small-town community, championing individual liberation and the pursuit of authentic passion over societal expectations and material security. This focus on challenging social norms and prioritizing personal freedom aligns with left-leaning values.
The film features a traditional cast predominantly composed of white actors, reflecting common practices of its release era. Its narrative explores themes of individual desire and societal expectations within a small-town setting, without explicitly critiquing traditional identities or centering on modern DEI themes.
Secondary
The film portrays the social institutions and conservative cultural norms of the small town, which are deeply rooted in Christianity, as stifling and hypocritical. The narrative critiques the oppressive societal expectations placed on characters, particularly women, by this community, aligning audience sympathy with those who seek freedom from these constraints.
The film 'Picnic' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered entirely on heterosexual romantic relationships and the social dynamics of a small town in the 1950s, thus rendering the LGBTQ+ portrayal N/A.
The film "Picnic" (1955) does not feature any identifiable transsexual characters or themes. The narrative focuses on heterosexual relationships and societal expectations in a small American town, with no elements pertaining to transgender identity.
The movie does not contain any action or adventure elements.
The 1955 film "Picnic" is a direct adaptation of William Inge's 1953 play. All significant characters in the movie retain the same gender as established in the original source material, with no instances of a character's gender being changed.
The 1955 film "Picnic" adapts William Inge's play, which features characters implicitly understood to be white within its 1950s Kansas setting. All major roles in the film are portrayed by white actors, aligning with the source material's context and typical casting of the era. No character's race was changed from their established depiction.
Viewer Rating Breakdown
User Ratings
7.0
6.4
Critic Ratings
4.5
N/A
More Like This
Leans Traditional
6.7
Breezy
(1973)
Political: Center
Diversity: Low
Center
6.6
Bus Stop
(1956)
Political: Leans Left
Diversity: Low
Leans Traditional
7.8
Sabrina
(1954)
Political: Center
Diversity: Low
Center
7.2
Stranger Than Fiction
(2006)
Political: Center
Diversity: Moderate
Traditional
6.5
The Journey
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Enigma
(2001)
Political: Center
Diversity: Low
Traditional
7.6
Risky Business
(1983)
Political: Leans Right
Diversity: Low
Traditional
6.8
Closer
(2004)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Progressive
7.2
Coming Home
(1978)
Political: Strong Left
Diversity: Low
Center
6.8
On the Beach
(1959)
Political: Leans Left
Diversity: Low
Leans Traditional
6.9
Where the Boys Are
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.1
Little Women
(1994)
Political: Center
Diversity: Low
Leans Traditional
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Leans Progressive
6.7
Yentl
(1983)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Center
7.6
Jerry Maguire
(1996)
Political: Center
Diversity: Moderate
Leans Traditional
6.9
The Towering Inferno
(1974)
Political: Center
Diversity: Low
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Traditional
7.3
Open Range
(2003)
Political: Leans Right
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low
Progressive
7.5
Children of a Lesser God
(1986)
Political: Leans Left
Diversity: High