5.9
Viewer Rating
Combines user and critic ratings from four sources
Baby Face Nelson (1957)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.9
Overview
Famed Depression-era gangster “Baby Face Nelson” robs and kills while accompanied by his beautiful moll.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Famed Depression-era gangster “Baby Face Nelson” robs and kills while accompanied by his beautiful moll.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a biographical crime drama focusing on the individual actions and violent downfall of a gangster, without explicitly promoting or critiquing broader political ideologies or societal structures, thus remaining neutral.
The film 'Baby Face Nelson' features traditional casting consistent with its 1950s production era, predominantly featuring white actors in mainstream roles. Its narrative focuses on the biographical story of a gangster without engaging in critical portrayals of traditional identities or incorporating explicit DEI themes.
Secondary
The film 'Baby Face Nelson' does not include any discernible LGBTQ+ characters or themes. Its narrative focuses on the life and criminal career of the titular gangster, offering no portrayal of queer identity or experiences to evaluate.
The 1957 crime film 'Baby Face Nelson' does not feature any identifiable transsexual characters or themes. The narrative focuses solely on the life and criminal career of gangster Lester Joseph Gillis, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
The film "Baby Face Nelson" (1957) is a biographical crime drama based on the real-life gangster Lester Joseph Gillis. All major historical figures depicted, including Nelson himself and his wife, are portrayed on screen by actors matching their documented historical gender.
The film portrays real historical figures like Baby Face Nelson and John Dillinger. All major characters are depicted by actors whose race aligns with the historical figures' documented race, with no instances of a character's race being changed from their established background.
Viewer Rating Breakdown
User Ratings
6.3
5.6
Critic Ratings
N/A
N/A
More Like This
Traditional
7.4
Coogan's Bluff
(1968)
Political: Leans Right
Diversity: Low
Traditional
6.7
Madigan
(1968)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
A Bronx Tale
(1993)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.6
The Departed
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.9
Primal Fear
(1996)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Traditional
7.0
Hard Times
(1975)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Blue Velvet
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Detective
(1968)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.9
Black Mass
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Sugarland Express
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.5
25th Hour
(2002)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Traditional
8.7
On the Waterfront
(1954)
Political: Leans Right
Diversity: Low
Traditional
8.1
Rope
(1948)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.2
Matchstick Men
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.4
Hustle & Flow
(2005)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Offence
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.2
Nightmare Alley
(2021)
Political: Center
Diversity: Low