MovieBias
See all results for ""
BrowseAnalyticsAbout

Bonjour Tristesse (1958)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.3
Bonjour Tristesse poster

Overview

A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Bias Dimensions

Political: Center
Diversity: Low
Christianity: Positive

Overview

A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film primarily explores the psychological and moral consequences of individual hedonism and irresponsibility within a family unit, rather than promoting or critiquing a specific political ideology. Its central conflict and implied solution revolve around universal human themes of maturity and accountability, leading to a neutral rating.

The movie features a predominantly white cast, consistent with its setting and the era of its production, without any explicit race or gender swaps of traditional roles. Its narrative centers on a psychological drama among affluent European characters, and it does not explicitly critique traditional identities or incorporate strong DEI themes as central to its plot.

Secondary

While not explicitly religious, the character of Anne embodies virtues of order, discipline, and conventional morality often associated with Christian ethics. The film's tragic narrative implicitly affirms these values by showing the destructive consequences of their rejection and the hedonistic lifestyle of Cécile and Raymond.

Bonjour Tristesse does not feature any identifiable LGBTQ+ characters or themes. The narrative centers entirely on heterosexual relationships and the complex family dynamics between Cécile, her father, and his lovers, without any explicit or implied queer representation.

The film 'Bonjour Tristesse' (1958) does not feature any identifiable transsexual characters or themes. Its narrative focuses on heterosexual relationships, adolescent rebellion, and family dynamics, with no elements related to transgender identity.

The movie does not contain any action or adventure elements.

The 1958 film "Bonjour Tristesse" is a direct adaptation of Françoise Sagan's 1954 novel. All major characters, including Cécile, Raymond, Anne Larsen, and Elsa, maintain their original genders as established in the source material.

The 1958 film "Bonjour Tristesse" is an adaptation of Françoise Sagan's 1954 novel. The characters in the source material are implicitly and explicitly depicted as white Europeans. The film's casting of its main characters, including Cécile, Raymond, and Anne, aligns with these established racial depictions, featuring white actors in those roles.


Viewer Rating Breakdown

7.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.8
The Movie Database logo
6.6

Critic Ratings

Rotten Tomatoes logo
8.4
Metacritic logo
N/A

More Like This

An Affair to Remember poster
Leans Traditional
7.1
An Affair to Remember
 (1957)
Political: Center
Diversity: Low
Fallen Angel poster
Leans Traditional
7.3
Fallen Angel
 (1945)
Political: Center
Diversity: Low
The Journey poster
Traditional
6.5
The Journey
 (1959)
Political: Leans Right
Diversity: Low
From Here to Eternity poster
Leans Traditional
8.0
From Here to Eternity
 (1953)
Political: Center
Diversity: Low
The Night of the Iguana poster
Leans Traditional
7.4
The Night of the Iguana
 (1964)
Political: Center
Diversity: Low
Daisy Kenyon poster
Leans Traditional
7.4
Daisy Kenyon
 (1947)
Political: Center
Diversity: Low
Quo Vadis poster
Traditional
7.3
Quo Vadis
 (1951)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Sleepless in Seattle poster
Leans Traditional
7.1
Sleepless in Seattle
 (1993)
Political: Center
Diversity: Low
On the Waterfront poster
Traditional
8.7
On the Waterfront
 (1954)
Political: Leans Right
Diversity: Low
My Darling Clementine poster
Traditional
8.4
My Darling Clementine
 (1946)
Political: Leans Right
Diversity: Low
Enigma poster
Leans Traditional
6.6
Enigma
 (2001)
Political: Center
Diversity: Low
Cyrano poster
Leans Traditional
8.1
Cyrano
 (1974)
Political: Center
Diversity: Low
Gone with the Wind poster
Traditional
8.7
Gone with the Wind
 (1939)
Political: Strong Right
Diversity: Low
Big poster
Leans Traditional
7.9
Big
 (1988)
Political: Center
Diversity: Low
Little Women poster
Leans Traditional
8.1
Little Women
 (1994)
Political: Center
Diversity: Low
The Good Girl poster
Leans Traditional
7.0
The Good Girl
 (2002)
Political: Center
Diversity: Low
Where the Boys Are poster
Leans Traditional
6.9
Where the Boys Are
 (1960)
Political: Center
Diversity: Low
City Lights poster
Leans Traditional
9.0
City Lights
 (1931)
Political: Center
Diversity: Low
The Best Years of Our Lives poster
Leans Traditional
8.7
The Best Years of Our Lives
 (1946)
Political: Center
Diversity: Low
Risky Business poster
Traditional
7.6
Risky Business
 (1983)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com