Viewer Rating
Combines user and critic ratings from four sources
A marshal nicknamed "The Hangman" because of his track record in hunting down and capturing wanted criminals traces a robbery suspect to a small town. However, the man is known and liked in the town, and the citizens band together to try to help him avoid capture.
A marshal nicknamed "The Hangman" because of his track record in hunting down and capturing wanted criminals traces a robbery suspect to a small town. However, the man is known and liked in the town, and the citizens band together to try to help him avoid capture.
The film's narrative champions the unwavering commitment to law and order and individual duty, as a deputy marshal relentlessly pursues a witness to ensure justice is served despite community resistance. This emphasis on upholding the legal system and individual responsibility aligns with right-leaning values.
The movie exhibits traditional casting practices typical of its era, without any apparent intentional race or gender swaps of established roles. The narrative maintains a neutral or positive framing of traditional identities, and DEI themes are not central to the storyline.
The film 'The Hangman' by Michael Curtiz is a Western centered on a deputy U.S. marshal's pursuit of an outlaw. The narrative does not include any identifiable LGBTQ+ characters or themes, resulting in an N/A rating for LGBTQ+ portrayal.
The 1959 Western film 'The Hangman' does not feature any transsexual characters or themes. Its plot centers on a deputy marshal's pursuit of a witness for a murder trial, with no elements related to transgender identity present in the narrative or character portrayals.
The movie does not contain any action or adventure elements.
The 1959 film "The Hangman" is an adaptation of a Luke Short short story. There is no widely documented or apparent instance of a character from the source material having their gender changed in this film adaptation.
The 1959 film "The Hangman" is an adaptation of a Luke Short short story. There is no evidence that any character, as established in the source material or through historical context, had their race changed for the film adaptation.
Combines user and critic ratings from four sources