7.8
Viewer Rating
Combines user and critic ratings from four sources
Last Train from Gun Hill (1959)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 7.8
Overview
A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for the rape and murder of his wife.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for the rape and murder of his wife.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict, while critiquing corruption, champions individual responsibility and moral courage in upholding law and order against powerful influences, aligning with right-leaning themes of individual action to restore justice.
This 1959 Western features a traditional cast with no evident intentional race or gender swaps of established roles. The narrative centers on a white marshal's quest for justice, and while a Native American character is pivotal to his motivation, the film does not explicitly critique traditional identities or center DEI themes in its storytelling.
Secondary
Last Train from Gun Hill is a classic Western that does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on a marshal's quest for justice, exploring conflicts of friendship and duty, without engaging with queer identity or experiences.
This film, a 1959 Western, does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal of transgender identity to evaluate, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
Last Train from Gun Hill (1959) is an original film, not an adaptation or reboot of prior material with established characters. All characters were created for this specific production, thus precluding any gender swaps from a canonical source.
Last Train from Gun Hill (1959) is an original film, not an adaptation of existing source material or a biopic. Therefore, there are no pre-established character races from prior canon or history to be altered.
Viewer Rating Breakdown
User Ratings
7.3
7.1
Critic Ratings
9.1
N/A
More Like This
Traditional
7.1
Gunfight at the O.K. Corral
(1957)
Political: Leans Right
Diversity: Low
Center
7.1
The War Wagon
(1967)
Political: Center
Diversity: Low
Traditional
7.1
Hour of the Gun
(1967)
Political: Leans Right
Diversity: Low
Traditional
7.9
The Magnificent Seven
(1960)
Political: Leans Right
Diversity: Low
Traditional
7.8
3:10 to Yuma
(2007)
Political: Leans Right
Diversity: Low
Leans Traditional
8.7
No Country for Old Men
(2007)
Political: Center
Diversity: Low
Traditional
7.5
Pale Rider
(1985)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Duel in the Sun
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
The Outlaw Josey Wales
(1976)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.8
High Plains Drifter
(1973)
Political: Center
Diversity: Low
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
The Assassination of Jesse James by the Coward Robert Ford
(2007)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Traditional
8.3
El Dorado
(1966)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
The Missouri Breaks
(1976)
Political: Center
Diversity: Low
Traditional
8.4
My Darling Clementine
(1946)
Political: Leans Right
Diversity: Low
Traditional
7.3
Open Range
(2003)
Political: Leans Right
Diversity: Low
Traditional
8.7
Stagecoach
(1939)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Two Mules for Sister Sara
(1970)
Political: Center
Diversity: Low
Traditional
8.0
Bend of the River
(1952)
Political: Leans Right
Diversity: Low