Viewer Rating
Combines user and critic ratings from four sources
A former underworld lawyer goes to work for the Federal Government, determined to bring 100 top criminals to justice.
A former underworld lawyer goes to work for the Federal Government, determined to bring 100 top criminals to justice.
The film's central conflict, an individual's crusade against organized crime and corruption, is a broadly appealing theme of justice and law enforcement. It avoids explicit promotion of specific political ideologies, making it a neutral narrative.
This 1961 crime drama features traditional casting with a predominantly white cast, consistent with the era's mainstream television. The narrative focuses on a white male protagonist fighting organized crime, without critically portraying traditional identities or incorporating explicit DEI themes into its central plot.
As a crime drama from the early 1960s, the show implicitly upholds a moral framework consistent with traditional Christian ethics. While characters may be nominally Christian and engage in criminal acts, the narrative consistently condemns these actions and portrays their negative consequences, thereby affirming the virtues and dignity of the faith by contrast.
The 1960s crime drama 'Cain's Hundred' does not feature any discernible LGBTQ+ characters or themes. As a product of its era and genre, there is no evidence to suggest any explicit or implicit LGBTQ+ representation within the series' narrative.
The movie does not contain any action or adventure elements.
Cain's Hundred is an original television series from 1961. As such, all its characters were created for the show and do not have prior canonical or historical gender baselines to be swapped from.
Cain's Hundred is an original television series from 1961. There is no prior source material (like a book, comic, or earlier film) or historical figures for its characters, meaning no pre-existing racial portrayals could be altered.
Combines user and critic ratings from four sources