MovieBias
See all results for ""
BrowseAnalyticsAbout

Come September (1961)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.4
Come September poster

Overview

Robert Talbot, an American millionaire, arrives early for his annual vacation at his luxurious Italian villa. His long-time girlfriend Lisa has given up waiting for him and has decided to marry another man. Meanwhile, his sneaky business associate Maurice secretly misappropriates the villa as a hotel while Talbot is away. The current guests of the "hotel" are a group of young American girls.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview

Robert Talbot, an American millionaire, arrives early for his annual vacation at his luxurious Italian villa. His long-time girlfriend Lisa has given up waiting for him and has decided to marry another man. Meanwhile, his sneaky business associate Maurice secretly misappropriates the villa as a hotel while Talbot is away. The current guests of the "hotel" are a group of young American girls.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film is a romantic comedy centered on personal relationships and generational differences in attitudes towards love. Its resolution emphasizes traditional commitment (marriage) while also showing acceptance of individual choices, leading to a neutral political stance.

This 1961 romantic comedy features a cast that is predominantly white, reflecting the standard casting practices of its time without any explicit diversity-driven choices. The narrative focuses on traditional romantic and comedic themes, presenting traditional identities in a neutral or positive light without any critique or explicit engagement with modern DEI concepts.

Secondary

Come September is a romantic comedy centered on heterosexual relationships and generational misunderstandings. The film does not feature any identifiable LGBTQ+ characters or themes, resulting in no portrayal of queer identity within its narrative.

This 1961 romantic comedy does not feature any identifiable transsexual characters or themes. The narrative focuses entirely on heterosexual relationships and comedic misunderstandings, with no elements that could be interpreted as depicting transgender experiences.

The movie does not contain any action or adventure elements.

Come September (1961) is an original film with characters created specifically for this production. There is no prior source material, historical figures, or established canon from which characters' genders could be swapped.

This film is an original romantic comedy from 1961, not an adaptation of prior source material, a biopic, or a reboot of established characters. Therefore, no characters had a pre-existing canonical or historical race to be altered.


Viewer Rating Breakdown

7.4

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.9
The Movie Database logo
6.8

Critic Ratings

Rotten Tomatoes logo
8.6
Metacritic logo
N/A

More Like This

Send Me No Flowers poster
Leans Traditional
6.6
Send Me No Flowers
 (1964)
Political: Center
Diversity: Low
Lover Come Back poster
Leans Traditional
7.2
Lover Come Back
 (1961)
Political: Center
Diversity: Low
Man's Favorite Sport? poster
Leans Traditional
6.7
Man's Favorite Sport?
 (1964)
Political: Center
Diversity: Low
Pillow Talk poster
Traditional
7.8
Pillow Talk
 (1959)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Groundhog Day poster
Leans Traditional
8.1
Groundhog Day
 (1993)
Political: Center
Diversity: Low
High Fidelity poster
Leans Traditional
7.9
High Fidelity
 (2000)
Political: Center
Diversity: Low
Garden State poster
Leans Traditional
7.4
Garden State
 (2004)
Political: Center
Diversity: Low
LGBTQ: Neutral
Meet the Parents poster
Leans Traditional
7.4
Meet the Parents
 (2000)
Political: Center
Diversity: Low
Sleepless in Seattle poster
Leans Traditional
7.1
Sleepless in Seattle
 (1993)
Political: Center
Diversity: Low
Big poster
Leans Traditional
7.9
Big
 (1988)
Political: Center
Diversity: Low
Meet Me in St. Louis poster
Traditional
8.5
Meet Me in St. Louis
 (1944)
Political: Leans Right
Diversity: Low
Pretty Woman poster
Leans Traditional
6.5
Pretty Woman
 (1990)
Political: Center
Diversity: Low
There's No Time for Love, Charlie Brown poster
Leans Traditional
6.7
There's No Time for Love, Charlie Brown
 (1973)
Political: Center
Diversity: Low
To Be or Not to Be poster
Leans Traditional
8.5
To Be or Not to Be
 (1942)
Political: Center
Diversity: Low
The Grass Is Greener poster
Leans Traditional
6.7
The Grass Is Greener
 (1960)
Political: Center
Diversity: Low
Risky Business poster
Traditional
7.6
Risky Business
 (1983)
Political: Leans Right
Diversity: Low
City Lights poster
Leans Traditional
9.0
City Lights
 (1931)
Political: Center
Diversity: Low
A New Leaf poster
Leans Traditional
8.0
A New Leaf
 (1971)
Political: Center
Diversity: Low
Sideways poster
Leans Traditional
8.4
Sideways
 (2004)
Political: Center
Diversity: Low
It's Always Fair Weather poster
Leans Traditional
7.7
It's Always Fair Weather
 (1955)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com