Pongo and Perdita have a litter of 15 puppies. Cruella De Vil takes a fancy to the pups, and wants to get hold of them, as well as more pups, to make herself a lovely dalmatian skin coat... Cruella hires some thugs to ki...
Pongo and Perdita have a litter of 15 puppies. Cruella De Vil takes a fancy to the pups, and wants to get hold of them, as well as more pups, to make herself a lovely dalmatian skin coat... Cruella hires some thugs to ki...
The film's central conflict is a universal good-vs-evil narrative focused on protecting family and innocent life from a monstrous individual, rather than explicitly promoting a specific political ideology.
This animated classic from 1961 features a cast of human characters that aligns with traditional portrayals, without any visible racial diversity or intentional re-casting of roles. The narrative itself does not engage with or critique traditional identities, focusing instead on a straightforward adventure plot.
One Hundred and One Dalmatians does not include any identifiable LGBTQ+ characters or themes. The story focuses exclusively on the adventures of dogs and their human owners, with no elements pertaining to LGBTQ+ identities or experiences present in the film.
The film features no human female characters engaging in direct physical combat with male opponents. While female dogs participate in the escape and evasion, their actions are animalistic and do not involve skill, strength, or martial arts in close-quarters combat against human males.
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