6.5
Viewer Rating
Combines user and critic ratings from four sources
The Tango of the Widower and Its Distorting Mirror (2020)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.5
Overview
A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the psychological breakdown of a widower through surrealist imagery, focusing on themes of grief, obsession, and the blurring of reality. Its artistic and psychological focus on internal states and the nature of perception renders it apolitical, as it does not explicitly promote or critique any specific political ideology or social structure.
This experimental Chilean film from the 1960s features casting that is traditional for its country and era, without any explicit efforts towards diversity or race/gender swaps. Its surrealist narrative focuses on a psychological exploration and does not engage in critical portrayals of traditional identities or center on DEI themes.
Secondary
The film does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses exclusively on the heterosexual relationship of a professor and his deceased wife, exploring themes of grief, guilt, and psychological distress.
The film focuses on a literature professor's psychological descent after his wife's death, exploring themes of grief, memory, and the supernatural. There are no identifiable transsexual characters or themes present in the narrative, nor are there any depictions related to transgender identity.
The movie does not contain any action or adventure elements.
This film is a completion of an unfinished 1967 work by Raúl Ruiz, utilizing original footage. There is no evidence of any character, established in the original material, being portrayed with a different gender in the 2020 version.
This film is a completion of an original 1967 work by Raúl Ruiz. The characters were created for this specific film and do not have a pre-existing canonical or historical race established in prior source material or installments. Therefore, no race swap occurred.
Viewer Rating Breakdown
User Ratings
6.4
6.5
Critic Ratings
N/A
N/A
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