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The bumbling, goofy Grump has placed a curse of gloom all over the land and only the Crystal Key can break the curse. It's up to Princess Dawn, her doglike companion Blip and young Terry to find the the Key and save the kingdom!
The bumbling, goofy Grump has placed a curse of gloom all over the land and only the Crystal Key can break the curse. It's up to Princess Dawn, her doglike companion Blip and young Terry to find the the Key and save the kingdom!
The film's central conflict revolves around a classic good vs. evil narrative where heroes seek to break a magical curse and restore happiness, a theme that lacks inherent political alignment.
This animated movie from 1969 exhibits traditional casting practices, featuring predominantly white voice actors for its main human characters without intentional race or gender swaps. The narrative presents traditional identities neutrally or positively, focusing on a classic fantasy quest without explicit DEI themes or critiques of traditional roles.
Here Comes the Grump is a 1969 animated fantasy series that follows a boy and a princess on an adventure. The show does not include any discernible LGBTQ+ characters or storylines, consistent with children's programming of its era. Therefore, there is no portrayal to evaluate.
The animated series primarily features Princess Dawn as a main character. However, her role does not involve engaging in or winning direct physical combat against male opponents. The show's conflicts typically revolve around magic, chases, and the Grump's schemes, rather than hand-to-hand fighting.
As an original animated series from 1969, "Here Comes the Grump" introduced its characters for the first time. There is no prior source material or previous installment from which a character's gender could have been swapped.
As the original animated series, "Here Comes the Grump" (1969) introduced its characters without prior canonical or historical racial depictions to deviate from. Therefore, no race swaps occurred within this production.
Combines user and critic ratings from four sources