6.5
Viewer Rating
Combines user and critic ratings from four sources
Struggle in Italy (1971)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 6.5
Overview
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Overview
The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes Marxist-Leninist ideology, using a didactic approach to critique consumerism and bourgeois life, advocating for revolutionary consciousness.
The film utilizes traditional casting practices for its era. Its narrative, however, presents a strong and explicit critique of established societal structures and ideologies, which are implicitly linked to traditional power dynamics.
Secondary
Struggle in Italy is a highly theoretical political film from the Dziga Vertov Group, primarily concerned with Marxist critique of consumerism and bourgeois ideology. Its didactic narrative focuses on a woman's political awakening, with no identifiable LGBTQ+ characters or themes present in its exploration of class struggle and societal structures.
Struggle in Italy is a political and philosophical film centered on Marxist-Leninist critiques of society and the role of women. The narrative does not include any transsexual characters, themes, or discussions related to transgender identity, resulting in no depiction within its scope.
The movie does not contain any action or adventure elements.
Lotte in Italia is an original film from 1971, not an adaptation, reboot, or biopic. All characters were created for this film, meaning there is no prior canonical or historical gender to be swapped from.
Lotte in Italia is an original experimental political film from 1971, not an adaptation of pre-existing material with established characters. Therefore, no characters have a prior canonical or historical race to be altered.
Viewer Rating Breakdown
User Ratings
5.9
7.1
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
8.1
The Edge of Heaven
(2007)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.8
Bicycle Thieves
(1948)
Political: Strong Left
Diversity: Low
Leans Progressive
7.7
There's Still Tomorrow
(2023)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.7
One Hundred Steps
(2000)
Political: Strong Left
Diversity: Low
Leans Progressive
8.5
Shoeshine
(1946)
Political: Strong Left
Diversity: Low
Leans Progressive
7.7
The Working Class Goes to Heaven
(1971)
Political: Strong Left
Diversity: Low
Leans Progressive
6.9
Private
(2004)
Political: Leans Left
Diversity: Moderate
Progressive
7.7
Maurice
(1987)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.5
Children of a Lesser God
(1986)
Political: Leans Left
Diversity: High
Leans Progressive
7.2
Coming Home
(1978)
Political: Strong Left
Diversity: Low
Leans Progressive
8.1
The Magdalene Sisters
(2002)
Political: Strong Left
Diversity: Moderate
Progressive
7.8
Promising Young Woman
(2020)
Political: Strong Left
Diversity: High
Progressive
8.2
Judas and the Black Messiah
(2021)
Political: Strong Left
Diversity: High
Leans Progressive
8.0
Blue Collar
(1978)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.7
Evangelion: 3.0+1.0 Thrice Upon a Time
(2021)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
7.2
Holes
(2003)
Political: Leans Left
Diversity: High
Progressive
7.8
Water
(2005)
Political: Strong Left
Diversity: High
Progressive
7.3
Carandiru
(2003)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.4
Better Days
(2019)
Political: Leans Left
Diversity: Moderate
Center
7.5
OMG 2
(2023)
Political: Leans Right
Diversity: High