Viewer Rating
Combines user and critic ratings from four sources
Small and short Frida lives with her long, tall friend in a house in the countryside. Frida rejects the idea that people who have committed crimes should be locked up. One day their own house is burgled by Harald. He is sentenced to prison. Acting in accordance with her philosophy, Frida decides to use all means possible to make it possible for Harald to escape.
Small and short Frida lives with her long, tall friend in a house in the countryside. Frida rejects the idea that people who have committed crimes should be locked up. One day their own house is burgled by Harald. He is sentenced to prison. Acting in accordance with her philosophy, Frida decides to use all means possible to make it possible for Harald to escape.
The film's central thesis explicitly promotes progressive ideology by offering a sharp, satirical critique of the dehumanizing aspects of the justice system and bureaucracy, advocating for humanism and individual freedom over rigid societal structures.
The film features traditional casting practices, consistent with its historical and geographical context, without explicit diversity initiatives. Its narrative focuses on broader societal satire rather than critically portraying traditional identities or centering on explicit DEI themes.
The film satirizes the Christian institution (specifically the Church of Sweden) and its representatives, often depicting them as rigid, hypocritical, or out of touch with genuine human compassion. The narrative uses these portrayals to critique societal norms and institutional failings, without offering significant counterbalancing positive depictions of the faith itself.
The film 'Release the Prisoners to Spring' does not feature any identifiable LGBTQ+ characters or themes within its narrative. The story centers on social commentary and the comedic misadventures of its main characters, offering no specific portrayal or engagement with queer identity.
The film "Release the Prisoners to Spring" does not feature any identifiable transsexual characters or themes. Its narrative focuses on a woman's experiences after prison and societal commentary, without engaging with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
This film is an original work with characters created specifically for it. There are no pre-existing canonical or historical characters from source material, previous installments, or real-world history whose gender could have been altered.
This film is an original production from 1975, not an adaptation of pre-existing material or a biopic. Therefore, its characters do not have a prior canonical or historical race to be altered, meaning no race swap occurred.
Combines user and critic ratings from four sources