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Combines user and critic ratings from four sources
Amos and Theodore, the two bumbling outlaw wannabes from The Apple Dumpling Gang, are back and trying to make it on their own. This time, the crazy duo gets involved in an army supply theft case -- and, of course, gets in lots of comic trouble along the way!
Amos and Theodore, the two bumbling outlaw wannabes from The Apple Dumpling Gang, are back and trying to make it on their own. This time, the crazy duo gets involved in an army supply theft case -- and, of course, gets in lots of comic trouble along the way!
The film is a lighthearted Western comedy primarily focused on adventure and slapstick humor, with no discernible political agenda or ideological messaging, making it an apolitical family entertainment.
This 1979 Western comedy features a predominantly white cast, reflecting traditional casting norms of its era without intentional race or gender swaps. The narrative maintains a neutral to positive portrayal of traditional identities, consistent with the genre and period, and does not incorporate explicit DEI critiques.
The Apple Dumpling Gang Rides Again, a 1979 Disney Western comedy, does not include any discernible LGBTQ+ characters or themes within its narrative. The film focuses on comedic misadventures in the Old West, without addressing queer identities or experiences.
The Apple Dumpling Gang Rides Again is a 1979 Disney Western comedy. It does not feature any identifiable transsexual characters, themes, or plotlines. The narrative focuses on family-friendly comedic adventures and traditional Western tropes, making the portrayal N/A.
The movie does not contain any action or adventure elements.
The film is a sequel featuring returning characters Frank Stillwell and Theodore O'Connell, who maintain their original male gender. Other main characters are new to this installment and are not gender-swapped versions of prior established characters.
This film is a sequel to an original Disney Western comedy. There are no characters who were canonically, historically, or widely established as one race in prior source material or the preceding film and then portrayed as a different race in this installment. New characters introduced do not have a pre-established racial identity to be swapped from.
Combines user and critic ratings from four sources