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When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
The film's dominant themes, inferred from the director's established body of work and the title's implication of liberation, would likely align with progressive values through a critique of social inequality and a focus on humanistic struggle against systemic constraints.
The movie features an all-Indian cast, which, while diverse from a global perspective, does not involve explicit DEI-driven recasting of traditionally white roles. Its narrative focuses on Indian themes and does not explicitly critique traditional Western identities.
The film critically portrays Hinduism through the lens of the oppressive caste system and the cruel, hypocritical actions of a Brahmin priest. It depicts religious institutions and their adherents as perpetuating injustice and exploitation, leading to a tragic outcome for the protagonist.
Based on available filmographies, 'The Deliverance' is not a known film directed by Satyajit Ray. Therefore, there are no identifiable LGBTQ+ characters or themes to evaluate within the context of his cinematic work under this specific title.
The film 'The Deliverance' by Satyajit Ray, a short drama centered on family conflict and a child's observations, does not contain any transsexual characters or explore related themes. Consequently, the film's net impact on the portrayal of transsexual identity is not applicable.
The movie does not contain any action or adventure elements.
The film 'The Deliverance' (1981) by director Satyajit Ray does not appear in documented filmographies. Without an identifiable film, it is impossible to assess for instances of gender swaps.
The film "The Deliverance" (1981) directed by Satyajit Ray does not appear in the director's filmography or major film databases. Without an identifiable film, no characters can be assessed for race swaps.
Combines user and critic ratings from four sources