Viewer Rating
Combines user and critic ratings from four sources
A woman traumatized by her brother's suicide is inducted into a world of games involving murder.
A woman traumatized by her brother's suicide is inducted into a world of games involving murder.
The film's title, 'The Suicide Club,' presents a premise that could be explored from various political perspectives, touching on themes like individual autonomy, societal pressures, and mental health. However, without specific plot details or narrative solutions, it is impossible to discern a dominant ideological stance, leading to a neutral rating.
Based on the limited information available, the movie's representation and narrative framing are assessed as neutral, indicating no explicit DEI-driven casting or strong thematic critiques of traditional identities.
The film 'The Suicide Club' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a group of disillusioned individuals exploring existential themes, without explicitly depicting or engaging with queer identities or experiences.
The film "The Suicide Club" (1988) focuses on a group of wealthy individuals engaging in a macabre game of Russian roulette with their lives. There are no identifiable transsexual characters or themes present within the narrative or character portrayals.
The movie does not contain any action or adventure elements.
The 1988 film "The Suicide Club" adapts Robert Louis Stevenson's stories. Key characters like Prince Florizel and Colonel Geraldine retain their original male genders from the source material, with no established characters portrayed as a different gender.
The 1988 film "The Suicide Club" adapts Robert Louis Stevenson's stories. Key characters like Prince Florizel and Colonel Geraldine, depicted as white in the source material, are portrayed by white actors in the film. No characters established as one race in the original canon are portrayed as a different race.
Combines user and critic ratings from four sources