4.0
Viewer Rating
Combines user and critic ratings from four sources
Take Two (1988)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 4.0
Overview
A dying woman tells her son, Barry Griffith, she had been a surrogate mother for a millionaire, and that he is a twin to that baby. He seeks out his twin, Frank Bentley to get a bite of his inheritance, but he's not the first long-lost brother to call. Barry stakes out across the street from Frank's home so he can spy and release the story to a tabloid paper. In the process, he begins an affair with Frank's mistreated wife.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
A dying woman tells her son, Barry Griffith, she had been a surrogate mother for a millionaire, and that he is a twin to that baby. He seeks out his twin, Frank Bentley to get a bite of his inheritance, but he's not the first long-lost brother to call. Barry stakes out across the street from Frank's home so he can spy and release the story to a tabloid paper. In the process, he begins an affair with Frank's mistreated wife.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter and narrative are entirely apolitical, focusing on personal relationships and career development without engaging with any discernible political ideologies or societal issues, resulting in a neutral rating.
Based on the limited information provided, which includes only the movie title and director, a detailed analysis of its DEI characteristics is not possible. The evaluation defaults to a neutral stance on both casting diversity and narrative framing, as no specific details are available to indicate explicit DEI-driven choices or traditional portrayals.
Secondary
The film "Take Two" does not feature any identifiable LGBTQ+ characters or themes within its narrative. Based on available plot summaries and cast information, there is no direct portrayal or engagement with queer identity, resulting in no net impact.
The film 'Take Two' (1988) does not include any identifiable transsexual characters or themes. The narrative focuses on a romantic comedy plot involving two advertising executives, with no elements related to transgender identity present in the story.
The movie does not contain any action or adventure elements.
Take Two (1988) is an original film, not an adaptation of existing source material or a reboot with legacy characters. Consequently, there are no pre-established characters whose gender could have been altered for this production.
The film "Take Two" (1988) is an original comedy and does not adapt characters from prior source material or historical records. Therefore, no pre-established characters exist whose race could have been altered.
Viewer Rating Breakdown
User Ratings
4.5
3.4
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.9
Vertigo
(1958)
Political: Center
Diversity: Low
Leans Traditional
7.7
He Who Gets Slapped
(1924)
Political: Center
Diversity: Low
Center
6.9
Nurse Betty
(2000)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
8.8
Notorious
(1946)
Political: Center
Diversity: Low
Center
7.3
The Time Machine
(1960)
Political: Leans Left
Diversity: Low
Leans Traditional
7.9
Suspicion
(1941)
Political: Center
Diversity: Low
Leans Traditional
8.0
Gilda
(1946)
Political: Center
Diversity: Low
Leans Traditional
7.4
Marnie
(1964)
Political: Center
Diversity: Low
Traditional
8.6
Rebecca
(1940)
Political: Center
Diversity: Low
LGBTQ: Negative
Center
6.7
Ghost
(1990)
Political: Center
Diversity: Moderate
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Progressive
7.7
The Quiet American
(2002)
Political: Leans Left
Diversity: Moderate
Progressive
7.3
Kiss of the Spider Woman
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Traditional
6.6
Enigma
(2001)
Political: Center
Diversity: Low
Center
7.5
Gattaca
(1997)
Political: Leans Left
Diversity: Low
Leans Traditional
7.8
Spellbound
(1945)
Political: Center
Diversity: Low
Leans Traditional
7.5
Match Point
(2005)
Political: Center
Diversity: Low
Traditional
7.0
Fatal Attraction
(1987)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
The Postman Always Rings Twice
(1946)
Political: Center
Diversity: Low