Viewer Rating
Combines user and critic ratings from four sources
Ko Chun, a renowned gambler, loses his memory in an accident and starts behaving like a child. Little Knife, an amateur gambler, offers him shelter and realizes that he has a penchant for gambling.
Ko Chun, a renowned gambler, loses his memory in an accident and starts behaving like a child. Little Knife, an amateur gambler, offers him shelter and realizes that he has a penchant for gambling.
The film's central subject matter of gambling, crime, and personal revenge lacks a strong inherent political valence. The narrative focuses on individual triumph and the restoration of order through personal action, rather than promoting or critiquing specific political ideologies or systemic issues.
The movie features a cast that is diverse within its specific cultural context, consistent with a Hong Kong production. Its narrative does not engage in explicit critiques of traditional identities or center on DEI themes.
The film 'God of Gamblers' does not include any explicit LGBTQ+ characters or themes. Its narrative focuses on gambling, crime, and heterosexual relationships, resulting in no discernible portrayal of queer identity.
The film 'God of Gamblers' (1989) does not feature any discernible transsexual characters or themes. Its plot centers on gambling, action, and comedy, with no elements related to transgender identity or experiences, resulting in a 'N/A' rating for portrayal.
The film does not depict any female characters engaging in or winning close-quarters physical combat against male opponents. Female characters are present but do not participate in action sequences of this nature.
God of Gamblers (1989) is an original film and does not adapt characters from prior source material, historical records, or earlier installments. All characters were created for this specific movie, thus precluding any gender swaps.
This film is an original production and not an adaptation of prior source material or a historical biopic. All characters were created for this film, meaning there is no pre-existing canonical or historical racial establishment to deviate from.
Combines user and critic ratings from four sources