Viewer Rating
Combines user and critic ratings from four sources
In 1919, the great English military man T. E. Lawrence tries to help Emir Feisal, ruler of Arabia, retain his political power during the Conference of Peace in Paris.
In 1919, the great English military man T. E. Lawrence tries to help Emir Feisal, ruler of Arabia, retain his political power during the Conference of Peace in Paris.
The film's left-leaning rating is primarily driven by its central critique of Western colonialism and its advocacy for Arab self-determination, aligning with progressive values concerning international justice and power dynamics.
This historical drama features casting that aligns with the historical context, without intentional race or gender swaps of traditionally white roles. The narrative critically examines British colonial policies and the actions of historical power structures, which were predominantly white and male, but this critique is inherent to the historical subject matter rather than an explicit, anachronistic DEI-driven negative portrayal of traditional identities.
The film portrays the Arab people, whose identity is deeply intertwined with Islam, with respect and sympathy. It champions their struggle for self-determination against colonial powers, implicitly affirming their cultural and religious dignity.
A Dangerous Man: Lawrence After Arabia portrays T.E. Lawrence's post-WWI life, focusing on his political advocacy and internal conflicts. While his complex personal life and discomfort with intimacy are depicted, the film does not explicitly identify him as an LGBTQ+ character or engage with LGBTQ+ themes within its narrative, rendering the portrayal N/A.
The film 'A Dangerous Man: Lawrence After Arabia' does not feature any identifiable transsexual characters or themes. Its narrative centers on T.E. Lawrence's post-war experiences and political endeavors, making the portrayal of transsexual identity N/A.
The movie does not contain any action or adventure elements.
This historical drama portrays real historical figures, most notably T.E. Lawrence. There is no evidence or historical record to suggest that any canonically or historically established characters had their gender altered for this film.
The film portrays historical figures such as T.E. Lawrence, King Faisal I, and Winston Churchill. The casting of these characters aligns with their documented historical races, with no instances of a character established as one race being portrayed as a different race.
Combines user and critic ratings from four sources