Viewer Rating
Combines user and critic ratings from four sources
Times are tough at Premiere Properties. Shelley "the machine" Levene and Dave Moss are veteran salesmen, but only Ricky Roma is on a hot streak. The new Glengarry sales leads could turn everything around, but the front office is holding them back until these "losers" prove themselves. Then someone decides to take matters into his own hands, stealing the Glengarry leads and leaving everyone wondering who did it.
Times are tough at Premiere Properties. Shelley "the machine" Levene and Dave Moss are veteran salesmen, but only Ricky Roma is on a hot streak. The new Glengarry sales leads could turn everything around, but the front office is holding them back until these "losers" prove themselves. Then someone decides to take matters into his own hands, stealing the Glengarry leads and leaving everyone wondering who did it.
The film's central thesis is a stark critique of the dehumanizing and morally corrupting effects of hyper-competitive, profit-driven capitalism, aligning its dominant themes with left-leaning concerns about systemic economic pressures.
The film features a predominantly white and male cast, consistent with traditional casting practices and the specific industry depicted. Its narrative focuses on the intense pressures and ethical dilemmas within a sales environment, critiquing systemic issues and individual character flaws rather than explicitly addressing or critiquing traditional identities through a DEI lens.
Glengarry Glen Ross does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on the cutthroat world of male real estate salesmen, with no elements related to queer identity or experiences present in the film's plot or character arcs.
Glengarry Glen Ross does not feature any identifiable transsexual characters or themes. The narrative is entirely centered on the high-pressure, male-dominated environment of real estate sales, and therefore offers no portrayal, positive or negative, of transsexual individuals or experiences.
The movie does not contain any action or adventure elements.
The 1992 film "Glengarry Glen Ross" is an adaptation of David Mamet's 1984 play. All primary and secondary characters in the film retain the same gender as established in the original play, with no instances of a character's gender being changed from the source material.
The film is an adaptation of a play where character races were not explicitly defined but were historically portrayed by white actors. The 1992 film cast white actors in all major roles, consistent with the source material's common interpretation and historical productions.
Combines user and critic ratings from four sources