Viewer Rating
Combines user and critic ratings from four sources
Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality. It is the story of strangers, auslanders who want to realize their dreams and ambitions outside their homeland. It raises topical issues of chauvinism, xenophobia and hatred of foreigners felt by both Germans and Poles.
Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality. It is the story of strangers, auslanders who want to realize their dreams and ambitions outside their homeland. It raises topical issues of chauvinism, xenophobia and hatred of foreigners felt by both Germans and Poles.
No specific plot details, themes, or character information were provided for 'Obcy musi fruwac'. Consequently, an objective political bias evaluation is impossible, and a rating of 0 is assigned as a placeholder for 'undetermined' rather than an assessment of actual neutrality.
This Polish film from 1993 features traditional casting, predominantly with white actors, and does not appear to incorporate intentional race or gender swaps. The narrative does not critically portray traditional identities or center around explicit DEI themes, reflecting a neutral or positive framing of such identities.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film 'Obcy musi fruwac'. Consequently, the film's net impact on LGBTQ+ portrayal is N/A.
The movie does not contain any action or adventure elements.
This film is an original Polish drama from 1994. There is no indication it is an adaptation of source material, a biopic of historical figures, or a reboot of prior installments with established characters. Therefore, no characters exist whose gender could be canonically swapped.
This is an original Polish drama film from 1994. There is no prior source material, historical figures, or established legacy characters from which a race swap could occur.
Combines user and critic ratings from four sources