5.5
Viewer Rating
Combines user and critic ratings from four sources
The Labyrinth of Love (1994)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.5
Overview
Valerie, a maid of French descent (Monica Seller), comes to work for a family in Saigon of the 1930s/40s. One by one, she seduces the members of the family: the dame de la maison, the widower, young gay sonny with his friend from university, and grandpa.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Trans: Negative
Overview
Valerie, a maid of French descent (Monica Seller), comes to work for a family in Saigon of the 1930s/40s. One by one, she seduces the members of the family: the dame de la maison, the widower, young gay sonny with his friend from university, and grandpa.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central focus on individual psychological and sexual dynamics, rather than societal structures or political ideologies, leads to a neutral rating. It explores human desire and relationships without advocating for a specific political solution.
The film features primarily traditional casting without explicit DEI-driven choices. Its narrative does not critically portray traditional identities, maintaining a neutral or positive framing.
Secondary
The Labyrinth of Love portrays a transsexual character whose identity is presented as a shocking deception, primarily evoking disgust and psychological turmoil in the cisgender protagonist. The film reinforces negative stereotypes by associating transsexuality with problematic outcomes and tragedy, lacking empathetic exploration or affirming perspectives.
The Labyrinth of Love, an erotic film by Joe D'Amato, does not feature identifiable LGBTQ+ characters or themes. Its narrative centers on heterosexual relationships and explicit content, thus offering no specific portrayal of queer identity or experiences within its storyline.
The movie does not contain any action or adventure elements.
This film appears to be an original production without pre-existing source material or established characters whose gender could be altered. All characters are considered new to this specific film.
This film is an original production and not an adaptation of existing source material with canonically established character races, nor does it depict real historical figures. Therefore, no race swap can be identified.
Viewer Rating Breakdown
User Ratings
4.2
6.8
Critic Ratings
N/A
N/A
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