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A Russian soldier who spent ten years in captivity in Afghanistan, returns to his home village and shocks all its inhabitants because of his conversion to Islam. During his absence, his father hanged himself, his brother served a prison term and his former fiancée has become a woman of very low morals. The village is the scene of endless drinking while the local boss is selling off the land for dollars to new-rich Russians. Our hero turns out as the only sober and hard-working member of the community. However, his attachment to his new faith soon provokes the hatred and rejection of everyone else, including his own family.
A Russian soldier who spent ten years in captivity in Afghanistan, returns to his home village and shocks all its inhabitants because of his conversion to Islam. During his absence, his father hanged himself, his brother served a prison term and his former fiancée has become a woman of very low morals. The village is the scene of endless drinking while the local boss is selling off the land for dollars to new-rich Russians. Our hero turns out as the only sober and hard-working member of the community. However, his attachment to his new faith soon provokes the hatred and rejection of everyone else, including his own family.
The film's narrative ultimately champions the re-affirmation of traditional Russian spiritual and national identity as a solution to societal and personal crisis, despite critiquing the moral failings within that tradition, leading to a right-leaning interpretation.
The movie 'Musulmanin' primarily features traditional casting reflective of its Russian village setting. Its narrative explores themes of religious identity and the challenges of acceptance when an individual's beliefs diverge from community norms, fostering a discussion around tolerance without explicitly critiquing traditional identities.
The film largely depicts the Christian community, particularly the Russian Orthodox villagers, as prejudiced, fearful, and hypocritical in their response to Nikolai's conversion to Islam. While some individual characters offer nuance, the narrative highlights the community's intolerance and inability to embrace difference, making their faith a source of conflict rather than understanding.
The film portrays Islam through the protagonist, Nikolai, as a source of profound personal peace, moral discipline, and spiritual strength. The narrative consistently frames the prejudice and misunderstanding directed at his faith by his community as wrong, positioning the audience to sympathize with his sincere devotion.
The film 'Musulmanin' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on a Russian soldier's conversion to Islam and his subsequent struggles to adapt to his village life, with no elements related to LGBTQ+ representation.
The film 'The Muslim (1995)' does not feature any identifiable transsexual characters or themes. Its narrative focuses entirely on a soldier's return from war and his religious conversion, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "Musulmanin" is an original drama with fictional characters created for the movie. There are no pre-existing canonical characters or historical figures whose gender could have been altered for this portrayal.
This is an original Russian film from 1995, not an adaptation of pre-existing material or a biopic. All characters are original to the film, meaning there is no prior canonical or historical race to compare against. Therefore, no race swap can be identified.
Combines user and critic ratings from four sources