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Andrea, daughter of Glinda, who dresses like Ozma, accidentally sends Toto 2 to New York in a hot air balloon made by Frank, the Wizard's son. The other kids must follow the course set by Frank's computer to take them to him. When they arrive, their balloon is trashed, and they meet Rick, a homeless man who has adopted Toto. The strange appearance of some of the kids keeps plans to return from going smoothly, but are affected much more so by a clash of cultures.
Andrea, daughter of Glinda, who dresses like Ozma, accidentally sends Toto 2 to New York in a hot air balloon made by Frank, the Wizard's son. The other kids must follow the course set by Frank's computer to take them to him. When they arrive, their balloon is trashed, and they meet Rick, a homeless man who has adopted Toto. The strange appearance of some of the kids keeps plans to return from going smoothly, but are affected much more so by a clash of cultures.
The film's central subject matter of a lost character navigating a city and seeking home is inherently apolitical, focusing on universal themes of displacement and resilience rather than specific ideological viewpoints.
This 1996 animated children's film, a spin-off of the Oz universe, maintains traditional character representations without explicit DEI-driven casting. Its narrative focuses on adventure and does not incorporate critiques of traditional identities or central DEI themes.
This animated children's film does not feature any identifiable LGBTQ+ characters or themes. The story centers on Toto's journey through New York, with no elements related to queer identity or experiences.
The animated film "Toto, Lost in New York" is a musical fantasy adventure. It does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. The narrative focuses on magical challenges and journeying rather than direct physical altercations.
The film features Toto, the dog from The Wizard of Oz, who is consistently portrayed as male in source material and this adaptation. No established characters from the Oz canon appear to have their gender changed in this film.
This animated film is a spin-off from "The Wizard of Oz." The character of Dorothy Gale, who is canonically white, is depicted as white in this film. There are no instances of established characters being portrayed as a different race.
Combines user and critic ratings from four sources