2.8
Viewer Rating
Combines user and critic ratings from four sources
Picasso in Munich (1997)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 2.8
Overview
In this surrealist film director Picasso can awaken from the dead. He steals a paintings painted by himself of a couple of wealthy psychiatrists. When Picasso meets Takla Bash, a patient of the psychiatrists, Picasso falls in love. Although it is his own daughter, he remembers an incredible love affair, in which a film with a blue cow plays a role. In the majority of the paintings shown in the film are works of Herbert Achternbusch.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
In this surrealist film director Picasso can awaken from the dead. He steals a paintings painted by himself of a couple of wealthy psychiatrists. When Picasso meets Takla Bash, a patient of the psychiatrists, Picasso falls in love. Although it is his own daughter, he remembers an incredible love affair, in which a film with a blue cow plays a role. In the majority of the paintings shown in the film are works of Herbert Achternbusch.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's highly experimental, surreal, and deeply personal exploration of artistic struggle and identity does not align with or explicitly promote any specific political ideology. Its focus on existential and cultural themes, rather than political ones, places it firmly in the neutral category.
This 1978 German film, consistent with its era and the director's distinctive style, features casting that is predominantly traditional without any explicit DEI-driven race or gender swaps. The narrative does not engage with modern DEI themes or offer a critical portrayal of traditional identities, focusing instead on the director's unique artistic vision.
Secondary
The film employs biting satire and absurdist humor to depict Christian institutions and practices as hypocritical, rigid, and detached from genuine human experience, aligning the narrative with a critical stance against organized religion.
The film 'Picasso in München' by Herbert Achternbusch does not appear to contain any explicit LGBTQ+ characters or themes in its widely available descriptions. Therefore, there is no discernible impact on LGBTQ+ representation.
The film 'Picasso in Munich' does not feature any identifiable transsexual characters or themes. Consequently, there is no portrayal of transsexual identity to evaluate within the narrative or character arcs.
The movie does not contain any action or adventure elements.
The film features Herbert Achternbusch portraying the historical artist Pablo Picasso. As both the historical figure and the on-screen portrayal are male, no gender swap occurs.
The film depicts a fictional visit of the historical artist Pablo Picasso to Munich. Picasso was historically a white Spanish man, and the actor portraying him, Herbert Achternbusch, was a white German man. There is no evidence of a race swap for Picasso or any other established character.
Viewer Rating Breakdown
User Ratings
5.6
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.0
Run Lola Run
(1998)
Political: Center
Diversity: Low
Traditional
6.6
Der Bockerer III - Die Brücke von Andau
(2000)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Name of the Rose
(1986)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.7
The White Rose
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Bourne Identity
(2002)
Political: Center
Diversity: Low
Center
7.2
The Tiger of Eschnapur
(1959)
Political: Center
Diversity: Low
Leans Traditional
8.0
Nosferatu the Vampyre
(1979)
Political: Center
Diversity: Low
Leans Traditional
9.0
Metropolis
(1927)
Political: Center
Diversity: Low
Traditional
8.6
The Lives of Others
(2006)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
The Counterfeiters
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.3
Wings of Desire
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Cabinet of Dr. Caligari
(1920)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Score
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.0
The NeverEnding Story
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.0
Cross of Iron
(1977)
Political: Center
Diversity: Low
Leans Traditional
6.6
Perfume: The Story of a Murderer
(2006)
Political: Center
Diversity: Low
Leans Traditional
8.2
Ghost World
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.6
The Baader Meinhof Complex
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.8
Good Bye, Lenin!
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.1
Shoes from Trieste
(2014)
Political: Center
Diversity: Low