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A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.
A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.
The film explores universal themes of human cruelty, indifference, and alienation through three distinct stories without advocating for any specific political solution or aligning with a particular ideological framework, thus remaining neutral.
The film does not exhibit explicit DEI characteristics in its casting or narrative. Its portrayal of characters and themes aligns with traditional cinematic approaches without intentional efforts to diversify roles or critique traditional identities through a DEI lens.
The film portrays a Christian adherent as rigidly moralistic and uncompassionate, using her faith to judge rather than help a desperate woman. This depiction highlights a lack of empathy without offering any counterbalancing positive portrayal of the religion.
The film 'Tri istorii' does not feature any identifiable LGBTQ+ characters, relationships, or themes within its narrative. Consequently, there is no portrayal to assess, leading to an N/A rating for its depiction of LGBTQ+ elements.
The film "Three Stories" (1997) by Kira Muratova consists of three distinct novellas exploring themes of human cruelty, indifference, and dark humor. Based on available plot summaries and critical analyses, there are no identifiable transsexual characters or themes present in the narrative.
The movie does not contain any action or adventure elements.
This film is an original anthology with new characters created for the screen. There are no pre-existing source materials, historical figures, or legacy characters whose gender could have been altered.
Tri istorii (Three Stories) is an original film from 1997, not an adaptation of pre-existing material with established characters. Therefore, no characters exist who were canonically or historically established as one race and then portrayed as another.
Combines user and critic ratings from four sources