Viewer Rating
Combines user and critic ratings from four sources
Summer has arrived, and people are fleeing the sun-scorched, stony streets of the city. Pat and Patachon also leave the stifling streets behind to spend the summer in the countryside. Armed with a homemade camera, they hope to earn a living by taking photographs, though their efforts are not particularly successful. By chance, they come across an inn owned by the formidable Mother Hulda. She quickly sniffs out their attempt to make their escape without paying their bill, and while Patachon is forced to stay as collateral, Pat sets off to make some money. He becomes the subject of many unpleasant mishaps along the way, while Patachon is coerced into becoming engaged to Hulda and gets entangled in a conflict between Hulda, her daughter Grethe, and Grethe’s boyfriend Erik. (Stumfilm.dk)
Summer has arrived, and people are fleeing the sun-scorched, stony streets of the city. Pat and Patachon also leave the stifling streets behind to spend the summer in the countryside. Armed with a homemade camera, they hope to earn a living by taking photographs, though their efforts are not particularly successful. By chance, they come across an inn owned by the formidable Mother Hulda. She quickly sniffs out their attempt to make their escape without paying their bill, and while Patachon is forced to stay as collateral, Pat sets off to make some money. He becomes the subject of many unpleasant mishaps along the way, while Patachon is coerced into becoming engaged to Hulda and gets entangled in a conflict between Hulda, her daughter Grethe, and Grethe’s boyfriend Erik. (Stumfilm.dk)
The film's central subject matter of family, identity, and reunion is inherently apolitical, focusing on universal human experiences rather than promoting or critiquing specific political ideologies, leading to a neutral rating.
Based on the historical context of director Lau Lauritzen's work, which primarily falls within the early to mid-20th century, the film is inferred to feature traditional casting and a narrative that does not engage with modern DEI themes or critique traditional identities. This suggests an absence of explicit DEI characteristics.
Based on the provided information, the film "The Refound Daughter" does not feature identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate against the rubric, resulting in a determination of N/A.
The film 'The Refound Daughter' does not feature any identifiable transsexual characters or themes. Its narrative focuses on a kidnapped woman's reunion with her family, a love triangle, and family secrets, without any elements related to transgender identity.
The movie does not contain any action or adventure elements.
The Refound Daughter (1923) is an original film with an original screenplay. Its characters were created for this production and do not have a prior canonical or historical gender from source material to be swapped from.
This 1923 silent film is not an adaptation of a work with pre-established character races, nor does it depict historical figures whose race was altered. There is no prior canon from which a character's race could have been swapped.
Combines user and critic ratings from four sources