Leans Traditional
7.8
The Prestige
(2006)
Political: Center
Diversity: Low
The House of Youth (1924)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Corinna Endicott attends a wild party with her pal Spike Blaine and there becomes reacquainted with Rhodes Winston, an English writer whom she nursed in Europe. They spend more time together, and eventually they become engaged. Then Mitch Hardy, a married cad, entices Corinna to a roadhouse, which is raided by police while he is forcing his attentions on her. The newspapers ruin Corinna's reputation, Rhodes breaks their engagement, and Corinna refuses Spike's offer of marriage, fearing that he feels only pity for her. Corinna resolves to make up for her mistakes, however, and with Spike she starts a fresh air farm for slum children. Although Rhodes eventually reappears and insists that he needs Corinna for his inspiration, she refuses him in favor of Spike.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
Corinna Endicott attends a wild party with her pal Spike Blaine and there becomes reacquainted with Rhodes Winston, an English writer whom she nursed in Europe. They spend more time together, and eventually they become engaged. Then Mitch Hardy, a married cad, entices Corinna to a roadhouse, which is raided by police while he is forcing his attentions on her. The newspapers ruin Corinna's reputation, Rhodes breaks their engagement, and Corinna refuses Spike's offer of marriage, fearing that he feels only pity for her. Corinna resolves to make up for her mistakes, however, and with Spike she starts a fresh air farm for slum children. Although Rhodes eventually reappears and insists that he needs Corinna for his inspiration, she refuses him in favor of Spike.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict, portraying the moral challenges of urban life for a young woman and often resolving through a return to traditional values, aligns with themes commonly emphasized by conservative social perspectives.
This 1924 film features traditional casting, consistent with the era's filmmaking practices, without intentional race or gender swaps of established roles. The narrative does not present critical portrayals of traditional identities or incorporate explicit DEI themes, aligning with the prevailing cultural context of its time.
Secondary
Based on the provided information, 'The House of Youth' does not contain identifiable LGBTQ+ characters or themes. Consequently, an evaluation of its portrayal of queer identity is not applicable, as there is no depiction to assess.
The film 'The House of Youth' (1921) does not appear to feature any identifiable transsexual characters or themes. Available plot information focuses on a young woman's desire for freedom and a love triangle, with no mention of transgender identity. Therefore, the film receives an N/A rating for its portrayal.
The movie does not contain any action or adventure elements.
The film "The House of Youth" (1924) is an adaptation of Arthur Stringer's story. There is no evidence to suggest that any established character from the source material had their gender changed in the film adaptation.
The 1924 film "The House of Youth" is a drama with no documented instances of characters being canonically or historically established as one race and then portrayed as a different race on screen. There is no evidence of a race swap.
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