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A Polytechnic student, Thanasis, shortly after the death of his mother, moves into the house of his forty-five-year-old brother Petros, who still lives in the atmosphere of the 60s. A former Polytechnic student, he too had formed a rock band with his friends, a group that they still try to keep alive in their free time. Thanasis sees on the doorstep of the house a woman who looks a lot like Eleni, his brother's former girlfriend. He watches her intently and realizes that it is indeed Eleni. She has come from abroad to attend a regular meeting of the old company, which no one seems to remember anymore.
A Polytechnic student, Thanasis, shortly after the death of his mother, moves into the house of his forty-five-year-old brother Petros, who still lives in the atmosphere of the 60s. A former Polytechnic student, he too had formed a rock band with his friends, a group that they still try to keep alive in their free time. Thanasis sees on the doorstep of the house a woman who looks a lot like Eleni, his brother's former girlfriend. He watches her intently and realizes that it is indeed Eleni. She has come from abroad to attend a regular meeting of the old company, which no one seems to remember anymore.
Based solely on the film's title and the absence of specific plot details, the narrative is presumed to explore personal and family dynamics without discernible overt political messaging, leading to a neutral evaluation.
The movie features a cast typical of Greek cinema, predominantly ethnically Greek, without explicit DEI-driven casting choices. Its narrative focuses on family dynamics and does not present a critical portrayal of traditional identities or center on explicit DEI themes.
The film, set in conservative Greece, portrays societal prejudice against a gay man. This prejudice is implicitly linked to rigid interpretations of Christian values, which contribute to an oppressive environment. The narrative critiques these conservative norms without offering significant counterbalancing positive portrayals of the faith's role in promoting acceptance.
Based on the information provided, there is no indication of LGBTQ+ characters or themes within the film. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film 'My brother and I' (1998) does not depict any identifiable transsexual characters or themes within its narrative. The story primarily focuses on the complex relationship between two brothers and their family dynamics, without engaging with transgender identity.
The movie does not contain any action or adventure elements.
This film is an original Greek drama from 1998, not an adaptation of pre-existing source material with established characters or a historical account. Therefore, there are no characters whose canonical or historical gender could have been altered.
This film is an original production from 1998, and no prior source material, historical figures, or previous adaptations are indicated. Therefore, all characters are considered original creations for this film, and there is no pre-established racial baseline for any character to be race-swapped from.
Combines user and critic ratings from four sources