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Combines user and critic ratings from four sources
The end of the XVIII century. The reign of Catherine II. In the deep Russian provinces, among the vast steppes of the Ural escaped convict Yemelyan Pugachev proclaimed himself Emperor Peter III of Russia. Under the banner of the Pretender embarked detachments of Cossacks, fugitive serfs, and many spirited people. In these troubled times in the God-forsaken Belogorsk young officer Pyotr Grinyov meets his first love - Masha, the daughter of Captain Mironov. Recklessly passionate love with each other did not want to notice the signs of impending trouble. They did not know that soon they will be an ordeal. They could not imagine how bizarre way their fates intertwined with the fate of the self-proclaimed king, and what an incredible effort will be worth it to save their lives and feelings in the bloody chaos of Russian riot.
The end of the XVIII century. The reign of Catherine II. In the deep Russian provinces, among the vast steppes of the Ural escaped convict Yemelyan Pugachev proclaimed himself Emperor Peter III of Russia. Under the banner of the Pretender embarked detachments of Cossacks, fugitive serfs, and many spirited people. In these troubled times in the God-forsaken Belogorsk young officer Pyotr Grinyov meets his first love - Masha, the daughter of Captain Mironov. Recklessly passionate love with each other did not want to notice the signs of impending trouble. They did not know that soon they will be an ordeal. They could not imagine how bizarre way their fates intertwined with the fate of the self-proclaimed king, and what an incredible effort will be worth it to save their lives and feelings in the bloody chaos of Russian riot.
The film leans right by emphasizing the importance of individual loyalty and duty to established authority, portraying the Pugachev Rebellion primarily as a destructive force, and ultimately championing the restoration of order over revolutionary change.
This historical drama, set in 18th-century Russia, features traditional casting that accurately reflects its period and source material. The narrative focuses on historical events and character development without explicitly critiquing traditional identities or incorporating modern DEI themes.
The film portrays Russian Orthodoxy as an integral part of 18th-century Russian society and the moral compass for its main characters. It respectfully depicts faith as a source of virtue, loyalty, and resilience amidst the chaos of rebellion, aligning the narrative with the dignity of the faith.
The film 'Russkiy bunt' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on historical events and a traditional heterosexual romance, leading to a determination of N/A for LGBTQ+ portrayal.
The film 'Russian Riot' is a historical drama set in 18th-century Russia, adapted from a classic novel. Its plot and characters do not include any discernible transsexual individuals or related themes, thus there is no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The film "Russkiy bunt" is an adaptation of Alexander Pushkin's novel "The Captain's Daughter." All major characters, including Pyotr Grinyov, Masha Mironova, and Yemelyan Pugachev, maintain their canonical genders as established in the source material. No instances of gender swapping were identified.
The film is an adaptation of Alexander Pushkin's novel set in 18th-century Russia. All major characters, originally depicted as white Russians, are portrayed by actors who are also racially white, consistent with the source material and historical context. No character's race was changed.
Combines user and critic ratings from four sources