3.1
Viewer Rating
Combines user and critic ratings from four sources
Právo na minulosť (1989)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 3.1
Overview
In the late 1980s, several films were made that wanted to come to terms with the crimes of Stalinism, but they did so with a very alibi - they basically communicate that it is enough to remove the erroneous deviation of the communist regime for this social system to become fully humane again. This also applies to the immediate post-war fates of former front-line fighters - one fought in the Soviet Red Army, another in the English Air Force, another was a soldier in the Slovak Army. The difficult character check will only be completed by the 20th Congress of Soviet Communists, which condemned recent blunders. The film was made based on a proposal by former Foreign Minister Bohuslav Chňoupek.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Judaism: Positive
Overview
In the late 1980s, several films were made that wanted to come to terms with the crimes of Stalinism, but they did so with a very alibi - they basically communicate that it is enough to remove the erroneous deviation of the communist regime for this social system to become fully humane again. This also applies to the immediate post-war fates of former front-line fighters - one fought in the Soviet Red Army, another in the English Air Force, another was a soldier in the Slovak Army. The difficult character check will only be completed by the 20th Congress of Soviet Communists, which condemned recent blunders. The film was made based on a proposal by former Foreign Minister Bohuslav Chňoupek.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film explores universal humanistic themes of scientific ethics, personal responsibility, and the individual's relationship with their past, rather than explicitly promoting a specific political ideology. Its focus on moral dilemmas and historical understanding positions it as neutral.
Due to the lack of specific details regarding the movie's cast, plot, and themes, a definitive DEI evaluation cannot be performed. Based on the absence of information, a neutral assessment is provided, indicating no explicit DEI elements or traditional framing are evident.
Secondary
The film portrays Judaism with profound respect and dignity, centering on a protagonist's journey to embrace his Jewish heritage after discovering he is a Holocaust survivor. It unequivocally condemns the historical persecution of Jews, positioning the audience to sympathize with the victims and affirm the importance of their identity and memory.
The film 'Právo na minulosť' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a post-WWII drama about justice and personal history, with no elements related to queer identity or experiences.
The film 'Právo na minulosť' does not feature any identifiable transsexual characters or themes. Its narrative centers on a man's return to his hometown, exploring past relationships, family secrets, and a murder investigation, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This film is a 1989 Czechoslovakian drama. There is no evidence to suggest it is an adaptation of a widely known source material, a biopic of a historical figure, or a reboot featuring legacy characters whose genders were previously established differently. Therefore, no gender swaps are identified.
No information suggests this 1989 film is an adaptation of source material with pre-established character races or a biopic of historical figures. Without prior canon, a race swap cannot be identified.
Viewer Rating Breakdown
User Ratings
5.3
1.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.9
Explosion
(1982)
Political: Center
Diversity: Low
Leans Traditional
8.0
Opouštět Petrohrad
(1991)
Political: Center
Diversity: Low
Center
6.7
The Great War of Archimedes
(2019)
Political: Center
Diversity: Moderate
Progressive
7.1
And the Violins Stopped Playing
(1988)
Political: Strong Left
Diversity: High
Leans Progressive
7.6
Good Morning, Vietnam
(1987)
Political: Leans Left
Diversity: Moderate
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Center
7.4
Flags of Our Fathers
(2006)
Political: Leans Left
Diversity: Low
Leans Traditional
7.5
Black Book
(2006)
Political: Center
Diversity: Low
Traditional
6.5
The Journey
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Enigma
(2001)
Political: Center
Diversity: Low
Progressive
7.5
Days of Glory
(2006)
Political: Leans Left
Diversity: High
Center
8.6
Grand Illusion
(1937)
Political: Leans Left
Diversity: Low
Center
8.5
The Big Parade
(1925)
Political: Leans Left
Diversity: Low
Leans Progressive
8.7
All Quiet on the Western Front
(1930)
Political: Strong Left
Diversity: Low
Traditional
8.4
The Deer Hunter
(1978)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Cross of Iron
(1977)
Political: Center
Diversity: Low
Leans Progressive
8.3
Letters from Iwo Jima
(2006)
Political: Leans Left
Diversity: Moderate
Center
6.6
The Zookeeper's Wife
(2017)
Political: Leans Left
Diversity: Low
Leans Progressive
7.2
Coming Home
(1978)
Political: Strong Left
Diversity: Low
Leans Traditional
7.1
Friendly Persuasion
(1956)
Political: Center
Diversity: Low