Viewer Rating
Combines user and critic ratings from four sources
The famous artist Vladimir Beletsky stole two valuable paintings from the museum, replacing them with his copies. He was forced to take this step by the extreme circumstances in which his son found himself. Having contacted a suspicious company, the son was deceived and is now forced to pay a large sum of money to scammers. Beletsky invents a reciprocal fraud in order to avenge his son’s offenders.
The famous artist Vladimir Beletsky stole two valuable paintings from the museum, replacing them with his copies. He was forced to take this step by the extreme circumstances in which his son found himself. Having contacted a suspicious company, the son was deceived and is now forced to pay a large sum of money to scammers. Beletsky invents a reciprocal fraud in order to avenge his son’s offenders.
The film's title, 'Maestro vor' (Master Thief), does not inherently suggest a specific political agenda, and without plot details, it is impossible to discern any dominant political themes or a clear ideological problem/solution framework.
Based solely on the provided title and director, there is insufficient information to evaluate specific DEI characteristics in casting, character diversity, or narrative framing. The assessment defaults to a neutral stance due to the absence of detailed content information.
The film 'Maestro vor' does not feature any identifiable LGBTQ+ characters or themes. Therefore, its net impact on LGBTQ+ portrayal is considered N/A, as there is no content to evaluate against the rubric.
Based on the provided information, there is no identifiable depiction of transsexual characters or themes in 'Maestro thief' (1994). Therefore, an evaluation of its portrayal is not possible.
The movie does not contain any action or adventure elements.
Maestro vor (1994) is an original crime drama film. Its characters were created specifically for this production and are not based on prior source material, historical figures, or existing franchises. Therefore, no character's gender was established before this film, precluding any gender swaps.
Maestro vor (1994) is an original Russian film, not an adaptation of a prior work with established character races or a biopic of a historical figure. Therefore, there is no canonical or historical baseline against which to assess a race swap.
Combines user and critic ratings from four sources