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Upon learning that he has to come out of retirement to steal 50 cars in one night to save his brother Kip's life, former car thief Randall "Memphis" Raines enlists help from a few "boost happy" pals to accomplish a seemingly impossible feat. From countless car chases to relentless cops, the high-octane excitement builds as Randall swerves around more than a few roadblocks to keep Kip alive.
Upon learning that he has to come out of retirement to steal 50 cars in one night to save his brother Kip's life, former car thief Randall "Memphis" Raines enlists help from a few "boost happy" pals to accomplish a seemingly impossible feat. From countless car chases to relentless cops, the high-octane excitement builds as Randall swerves around more than a few roadblocks to keep Kip alive.
The film is primarily an apolitical action-heist thriller focused on personal stakes, where an individual uses their unique skills and loyalty to family to solve a dangerous problem outside the legal system. Its core conflict and solution are driven by genre conventions rather than explicit political ideology.
The movie includes visible diversity within its ensemble cast, featuring various ethnic backgrounds and a prominent female character. However, its casting does not involve explicit DEI-driven race or gender swaps of traditionally white roles. The narrative maintains a neutral or positive framing of traditional identities, without making DEI themes central to its plot.
The film "Gone in 60 Seconds" focuses on a car theft heist and its associated characters and plotlines. There are no identifiable LGBTQ+ characters or themes present in the narrative, resulting in no depiction to evaluate.
The film "Gone in Sixty Seconds" focuses on a car thief's efforts to steal 50 cars in one night. There are no identifiable transsexual characters or themes present in the narrative, nor does the plot touch upon any related topics.
The film features Sara "Sway" Wayland as a prominent female character involved in the car theft operation. However, her role primarily involves driving and mechanical skills. There are no scenes depicting her or any other female character engaging in or winning close-quarters physical combat against male opponents.
The 2000 film is a remake of the 1974 original. While it features new characters and reinterprets some roles, no character canonically established as one gender in the source material was portrayed as a different gender in this adaptation.
The 2000 film is a remake that re-imagines characters and plot rather than directly recasting specific, canonically established roles from the 1974 original. No character from the source material had a widely established racial identity that was changed.
Combines user and critic ratings from four sources