Leans Traditional
7.3
Road to Singapore
(1940)
Political: Center
Diversity: Low
Extravagance (1919)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Extravagant-living Helen Douglas and her wealthy husband, broker Alan Douglas, live beyond their means. Alan's friend, Billy Braden, tries to convince them to join him in leaving New York for the more peaceful West, but they refuse.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
Extravagant-living Helen Douglas and her wealthy husband, broker Alan Douglas, live beyond their means. Alan's friend, Billy Braden, tries to convince them to join him in leaving New York for the more peaceful West, but they refuse.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's narrative champions individual responsibility and self-control as solutions to personal excess and marital discord, aligning its core message with conservative values of prudence and traditional commitment.
The film features traditional casting with a predominantly white cast, consistent with the era of its production. Its narrative does not critique traditional identities or incorporate explicit DEI themes.
Secondary
The film 'Extravagance' (1930) is a pre-Code musical drama focusing on a woman's pursuit of a singing career and love. There is no evidence to suggest the presence of LGBTQ+ characters or themes within its narrative, resulting in a classification of N/A for LGBTQ+ portrayal.
Analysis of 'Extravagance' (1930) reveals no discernible transsexual characters or themes within its plot or cast. The film's narrative, focusing on two sisters' marital choices, does not engage with transgender identity in any capacity, leading to an N/A rating for its portrayal.
The movie does not contain any action or adventure elements.
There is no evidence to suggest that "Extravagance" (1919) is an adaptation of source material or a biopic where a character's established gender was changed for the film. The film appears to feature original characters or characters whose prior canon gender is not documented as different.
Extravagance (1919) is an original film, not an adaptation of existing material, a biopic, or a reboot. Therefore, there are no pre-established characters whose race could have been altered from a prior canon or historical record.
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