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The Chipmunks work in an amusement park attraction. After Alvin drives a crazy tour group, they miss their next performance and are locked in the park after closing time. Little do they know that the real Dr. Frankenstein has been hired in a new attraction called, "Frankenstein's Castle"; figuring that the castle isn't scary enough, the mad scientist recreates the real Monster.
The Chipmunks work in an amusement park attraction. After Alvin drives a crazy tour group, they miss their next performance and are locked in the park after closing time. Little do they know that the real Dr. Frankenstein has been hired in a new attraction called, "Frankenstein's Castle"; figuring that the castle isn't scary enough, the mad scientist recreates the real Monster.
The film's central themes of empathy, friendship, and protecting the vulnerable are universal and apolitical, and its conflict involving a misunderstood monster and a mad scientist lacks inherent political valence.
This animated film features traditional casting for its human characters, aligning with classic horror archetypes, and its narrative does not incorporate explicit DEI themes or critique traditional identities. The focus remains on the comedic adventure of the main characters.
This animated children's film does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on the Chipmunks' encounter with Frankenstein's monster, focusing on adventure and friendship within a family-friendly context, with no elements pertaining to queer identity.
The movie does not contain any action or adventure elements.
The film features established characters such as Alvin, Simon, Theodore, and Frankenstein's Monster, all of whom retain their canonical genders. No characters from source material or previous installments are portrayed as a different gender.
The film features anthropomorphic chipmunks and human characters. The chipmunks are not human, so the concept of human race does not apply to them. Human characters like Dr. Frankenstein are depicted consistently with their established portrayals, with no changes in race from prior canon.
Combines user and critic ratings from four sources