6.7
Viewer Rating
Combines user and critic ratings from four sources
Pukar (2000)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 6.7
Overview
Major Jaidev saves a politician from the clutches of a dreaded terrorist. However, the terrorist joins hands with his childhood friend Anjali to ruin his life.
Starring Cast
Where to watch
Bias Dimensions
Political: Strong Right
Diversity: Low
Hinduism: Positive
Overview
Major Jaidev saves a politician from the clutches of a dreaded terrorist. However, the terrorist joins hands with his childhood friend Anjali to ruin his life.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly promotes unwavering patriotism, national security, and the valorization of military duty, with the hero embodying traditional values of loyalty against threats to the nation.
The movie features traditional casting for its cultural context, with an all-Indian cast and no explicit race or gender swaps of roles. Its narrative positively frames traditional male heroism and patriotism, without any critical portrayal of traditional identities or explicit DEI themes.
Secondary
The film implicitly portrays Hinduism positively by presenting its protagonists, who operate within a Hindu cultural framework, as embodying virtues like patriotism, duty, and sacrifice. The narrative aligns with these values, offering no critique or negative depiction of the faith.
The film 'Pukar' does not feature any identifiable LGBTQ+ characters or themes. Its plot centers on patriotism, military duty, betrayal, and a heterosexual romance, leading to a determination of N/A for LGBTQ+ portrayal.
The film 'Pukar' does not contain any identifiable transsexual characters or themes within its narrative. Its plot focuses on military action, patriotism, and romantic drama, without engaging with transgender identities or experiences.
The film features Anjali and Pooja as significant female characters. While Anjali plays a pivotal role in the plot's conflict through manipulation and strategy, neither she nor Pooja are depicted engaging in or winning close-quarters physical combat against male opponents.
Pukar (2000) is an original Bollywood film, not an adaptation or reboot of existing material. All characters were created for this specific movie, meaning there are no pre-established canonical or historical figures whose gender could have been swapped.
Pukar (2000) is an original Indian film, not an adaptation of pre-existing material or a biopic. Therefore, its characters do not have a prior established race to be swapped from.
Viewer Rating Breakdown
User Ratings
6.7
6.7
Critic Ratings
N/A
N/A
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