4.1
Viewer Rating
Combines user and critic ratings from four sources
Le Comte Ory (1997)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.1
Overview
Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
This production of "Le Comte Ory" is rated 0 because its central themes revolve around apolitical human foibles, comedic deception, and farcical situations, rather than promoting any specific political ideology or social critique.
This production of the classical opera 'Le Comte Ory' features traditional casting choices, consistent with the historical context of the work. Its narrative focuses on comedic romantic intrigue and does not incorporate or critique traditional identities through a DEI lens.
Secondary
The film satirizes the hypocrisy of Count Ory, who uses Christian religious guises (hermit, pilgrim) to deceive and seduce noblewomen. The narrative exposes this charlatanism and portrays the genuinely devout women sympathetically, affirming the virtues of faith by condemning its abuse rather than the faith itself.
Le Comte Ory, an opera film, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on traditional heterosexual romantic comedy and deception, with no elements suggesting queer identity or relationships, thus resulting in no depiction.
Le Comte Ory features male characters who cross-dress for comedic deception, not as an expression of transsexual identity. The narrative does not explore or depict transsexual characters or themes, thus the portrayal is N/A.
The movie does not contain any action or adventure elements.
The film is an adaptation of Rossini's opera, which features the traditional operatic 'pants role' of Isolier, a male character typically sung by a female mezzo-soprano. This casting convention does not alter the character's canonical gender within the narrative, thus it is not considered a gender swap.
Le Comte Ory is a 1997 filmed production of Rossini's 1828 French opera. The characters, originally set in medieval France, are implicitly white. The cast for this production consists of white actors, aligning with the historical and canonical context of the source material.
Viewer Rating Breakdown
User Ratings
8.1
N/A
Critic Ratings
N/A
N/A
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