Viewer Rating
Combines user and critic ratings from four sources
A young woman dates a number of men according to their car size. But the larger the car gets, the older the man becomes. Abandoned by her last partner, she re-does the journey in reverse only to find all the spaces taken.
A young woman dates a number of men according to their car size. But the larger the car gets, the older the man becomes. Abandoned by her last partner, she re-does the journey in reverse only to find all the spaces taken.
The film's focus on the universal theme of romance, without any specific narrative details or thematic framing provided, does not inherently align with any particular political ideology, leading to a neutral assessment.
The evaluation of the movie's diversity, equity, and inclusion characteristics was conducted without specific details regarding its casting, character diversity, or narrative themes. In the absence of explicit information indicating DEI-driven elements, the assessment defaults to a traditional approach in both representation and narrative framing.
The provided information for '{Romance} ({movie})' by Bretislav Pojar contains no details regarding LGBTQ+ characters or themes. Therefore, the film's portrayal of LGBTQ+ elements is rated as N/A, indicating no depiction.
Romance (1962) is an animated short film that does not depict any transsexual characters or themes. The narrative focuses on abstract concepts of relationships and human interaction without engaging with transgender identity, resulting in no relevant portrayal.
The movie does not contain any action or adventure elements.
The film "Romance" (1962) is an original animated short by Bretislav Pojar. It does not adapt characters from pre-existing source material, historical records, or earlier installments. Therefore, no characters established with a specific gender in prior canon are portrayed as a different gender.
The film "Romance" (1962) is an original animated short. There is no evidence of it being an adaptation of source material or depicting historical figures with pre-established racial identities. Consequently, no race swap can be identified.
Combines user and critic ratings from four sources