7.2
Viewer Rating
Combines user and critic ratings from four sources
The Count of Monte Cristo (2002)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.2
Overview
Edmond Dantés's life and plans to marry the beautiful Mercedes are shattered when his best friend, Fernand, deceives him. After spending 13 miserable years in prison, Dantés escapes with the help of a fellow inmate and plots his revenge, cleverly insinuating himself into the French nobility.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Edmond Dantés's life and plans to marry the beautiful Mercedes are shattered when his best friend, Fernand, deceives him. After spending 13 miserable years in prison, Dantés escapes with the help of a fellow inmate and plots his revenge, cleverly insinuating himself into the French nobility.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central narrative focuses on universal themes of injustice, betrayal, and personal revenge, culminating in individual redemption and forgiveness, rather than advocating for specific political ideologies or systemic societal change.
The film features traditional casting without intentional race or gender swaps of established roles. Its narrative focuses on classic themes of justice and revenge, maintaining a neutral or positive framing of traditional identities without explicit DEI-driven critiques.
Secondary
The film portrays Christianity through the wise and moral character of Abbé Faria, a priest who guides Edmond Dantès towards knowledge and spiritual growth. While some characters exhibit hypocrisy despite their nominal Christian affiliation, the narrative frames this as individual failing rather than a critique of the faith itself, ultimately affirming virtues like justice and eventual forgiveness.
The 2002 film 'The Count of Monte Cristo' does not feature any identifiable LGBTQ+ characters or themes. The plot is entirely focused on heterosexual relationships and the protagonist's quest for revenge, leading to no depiction of queer identity within its narrative.
The film "The Count of Monte Cristo" does not feature any identifiable transsexual characters or themes. The narrative focuses on Edmond Dantès's journey of betrayal, imprisonment, escape, and revenge in 19th-century Europe, with no elements related to transgender identity.
The film primarily focuses on Edmond Dantès's journey of revenge. Female characters like Mercédès and Valentine de Villefort are central to the narrative but do not participate in any direct physical combat against male opponents.
The 2002 film adaptation of "The Count of Monte Cristo" maintains the canonical genders of all major characters as established in Alexandre Dumas's original novel. No significant character's gender was altered from the source material.
The 2002 film adaptation of "The Count of Monte Cristo" features characters whose on-screen portrayals align with their established racial backgrounds from the original novel. No instances of a character canonically established as one race being portrayed as a different race were identified.
Viewer Rating Breakdown
User Ratings
7.7
7.7
Critic Ratings
7.4
6.1
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