7.1
Viewer Rating
Combines user and critic ratings from four sources
El diablo, el santo y el tonto (1987)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.1
Overview
When rancher, Don Trinidad is on his deathbed, he confesses to his fumbling son Rogelio, that he has two other illegitimate sons and that he wishes them to be included in his will. When Rogelio tracks them down, he discovers that each of them has a completely different life.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Overview
When rancher, Don Trinidad is on his deathbed, he confesses to his fumbling son Rogelio, that he has two other illegitimate sons and that he wishes them to be included in his will. When Rogelio tracks them down, he discovers that each of them has a completely different life.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's political bias is assessed as neutral due to the absence of specific plot details or thematic content that would indicate a clear ideological leaning.
This 1987 Mexican film features a cast that reflects its cultural origin, demonstrating visible diversity without explicit DEI-driven recasting of traditionally white roles. The narrative does not appear to critically portray traditional identities or center explicit DEI themes.
Secondary
The film utilizes archetypes of 'the devil' and 'the saint' within a Christian framework to explore moral themes. While it may satirize human failings or hypocrisy, the narrative ultimately aligns with the virtues and dignity associated with the faith, affirming the distinction between good and evil and often portraying piety positively.
The film 'El diablo, el santo y el tonto' does not feature any identifiable LGBTQ+ characters or themes. Its narrative primarily focuses on traditional relationships and moral dilemmas, with no elements pertaining to queer identity or experiences.
The film's narrative and character descriptions do not indicate the presence of any identifiable transsexual characters or themes. The plot focuses on a man's personal struggles and romantic relationships, without engaging with gender identity issues.
The movie does not contain any action or adventure elements.
This 1987 Mexican film is an original production and not an adaptation, biopic, or reboot of existing characters. Therefore, its characters are new to this specific film, and there are no pre-established canonical or historical genders to be swapped.
There is no widely established source material (e.g., novel, comic, prior film, historical record) for "El diablo, el santo y el tonto" (1987) that defines the canonical race of its characters. Therefore, no character can be identified as having been race-swapped.
Viewer Rating Breakdown
User Ratings
6.7
7.6
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
8.4
The Exterminating Angel
(1962)
Political: Strong Left
Diversity: Low
Leans Progressive
6.8
Instructions Not Included
(2013)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
8.2
Radical
(2023)
Political: Strong Left
Diversity: High
Center
6.5
Huevos: Little Rooster's Egg-Cellent Adventure
(2015)
Political: Center
Diversity: Moderate
Leans Progressive
7.0
Under the Same Moon
(2007)
Political: Leans Left
Diversity: Moderate
Progressive
8.8
Pan's Labyrinth
(2006)
Political: Strong Left
Diversity: High
Center
6.8
Biutiful
(2010)
Political: Center
Diversity: Moderate
Center
8.3
Amores Perros
(2000)
Political: Center
Diversity: Moderate
Leans Traditional
8.0
We Are the Nobles
(2013)
Political: Leans Right
Diversity: Moderate
Leans Progressive
7.9
The Chambermaid
(2019)
Political: Leans Left
Diversity: Moderate
Progressive
8.1
The Shape of Water
(2017)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
8.3
Aguirre, the Wrath of God
(1972)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.3
Y Tu Mamá También
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Center
6.6
Las tres tumbas
(1980)
Political: Center
Diversity: Moderate
Center
7.5
OMG 2
(2023)
Political: Leans Right
Diversity: High
Leans Traditional
7.2
Matchstick Men
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.7
California Split
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.2
Masquerade
(2022)
Political: Center
Diversity: Low
Center
7.6
Caramel
(2007)
Political: Center
Diversity: Moderate
LGBTQ: Neutral