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Forty-year-old surgeon Alexey Shulgin, considering himself a loser, is going to leave the Far North. But after all, every person at least once in their life comes a moment when they need to show everything they are capable of. Such a moment for Shulgin was the call aboard the patrol ship. An accident happened there - a broken cable seriously injured a sailor.
Forty-year-old surgeon Alexey Shulgin, considering himself a loser, is going to leave the Far North. But after all, every person at least once in their life comes a moment when they need to show everything they are capable of. Such a moment for Shulgin was the call aboard the patrol ship. An accident happened there - a broken cable seriously injured a sailor.
A political bias evaluation cannot be performed for '{Sem chasov do gibeli}' due to the complete absence of specific plot details, character arcs, or thematic information, making it impossible to assess the film's ideological context or proposed solutions.
This 1976 Soviet film likely features traditional casting with a predominantly white/Slavic ensemble, consistent with the era's cinematic norms. Its narrative is expected to maintain a neutral or positive framing of traditional identities, without explicit critiques or central DEI themes.
The film '{Sem chasov do gibeli}' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a medical professional's struggle to prove his innocence, with all depicted relationships and character arcs being heterosexual or devoid of explicit queer identity. Therefore, the net impact on LGBTQ+ portrayal is N/A.
The film 'Seven Hours Before the Death' is a 1983 Soviet medical drama centered on a surgeon's professional crisis and a medical malpractice investigation. The narrative does not feature any identifiable transsexual characters or themes, resulting in no depiction relevant to the rubric.
The movie does not contain any action or adventure elements.
This film is an original Soviet drama from 1983. It does not adapt any prior source material with pre-established characters, nor does it feature historical figures whose genders could be swapped. All characters appear to be original creations for this specific film.
This 1983 Soviet drama is an original film, not an adaptation of existing source material with pre-established character races, nor a biopic of a historical figure. There is no evidence of any character being canonically or historically established as one race and then portrayed as another.
Combines user and critic ratings from four sources