Center
8.2
Bāhubali 2: The Conclusion
(2017)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Rashk-e-Laila (1934)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
One of the best-known films of Mahalakshmi, a sound film studio set up jointly by star Zubeida and director Vakil. The costumed love fantasy derived from the Arabian Nights and tells of Laila (Zubeida), a gypsy dancer who falls in love with the Persian soldier Asghar (Desa). The villain, who lusts after Laila, is Sardar Sagi (Gulab), right-hand man to the grand vizir Uoshi) who has political ambitions of his own.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
One of the best-known films of Mahalakshmi, a sound film studio set up jointly by star Zubeida and director Vakil. The costumed love fantasy derived from the Arabian Nights and tells of Laila (Zubeida), a gypsy dancer who falls in love with the Persian soldier Asghar (Desa). The villain, who lusts after Laila, is Sardar Sagi (Gulab), right-hand man to the grand vizir Uoshi) who has political ambitions of his own.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's mythological genre and historical context (1930s India) indicate a focus on moral fables and spiritual themes, rather than explicit political ideologies. Its narrative reinforces broad traditional values without aligning with modern left or right political discourse.
This 1934 Indian film features a cast typical for its regional context, which does not involve explicit race or gender swaps of roles traditionally associated with Western demographics. Its narrative is expected to align with the prevailing societal norms of its era, presenting traditional identities in a neutral or positive light without explicit critique.
Secondary
The film 'Rashk-e-Laila' does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A. The narrative does not engage with queer identity in any capacity.
Information regarding the 1934 film 'Rashk-e-Laila' is extremely limited. No plot details, character descriptions, or critical reviews suggest the inclusion of transsexual characters or themes. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
Information regarding the source material or specific character canon for the 1934 film "Rashk-e-Laila" is not readily available. Without established canonical genders for its characters from prior works or history, it is not possible to identify any instances of a gender swap.
Rashk-e-Laila is a 1934 Indian film. There is no widely established source material or historical record detailing specific character races prior to this film's production that would allow for a determination of a race swap. Without a clear baseline, a race swap cannot be identified.
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