
Atash Behram (1901)
Not Rated
Overview
A short film focusing on the renovation of a Parsi fire temple. It reflects Bhatavdekar's interest in documenting cultural and religious practices.
Starring Cast
Bias Dimensions
Overview
A short film focusing on the renovation of a Parsi fire temple. It reflects Bhatavdekar's interest in documenting cultural and religious practices.
Starring Cast
Detailed Bias Analysis
Primary
The film's subject matter, Zoroastrian mythology and religious devotion, is inherently apolitical in the context of modern US political discourse, leading to a neutral rating due to the absence of discernible political messaging.
The movie features traditional casting for its cultural context, primarily utilizing Indian actors without engaging in race or gender swaps of traditionally white roles. Its narrative frames traditional identities neutrally or positively, without explicit critique.
Secondary
As an early 20th-century documentary short depicting a religious ritual, 'Atash Behram' does not present any identifiable LGBTQ+ characters or themes. The film's focus is solely on documenting the Parsi fire temple ceremony, thus rendering the concept of LGBTQ+ portrayal inapplicable.
Atash Behram is a 1902 Indian silent documentary depicting a Parsi religious ceremony. Based on available information, the film does not feature any identifiable transsexual characters or themes.
The movie does not contain any action or adventure elements.
Atash Behram (1901) is an early short film/actualité, not an adaptation of source material with established characters or a narrative featuring historical figures. There is no evidence of characters with pre-defined genders being portrayed differently.
Atash Behram (1901) is an early silent film, often described as a documentary or actualité depicting wrestlers. It does not feature named characters with established canonical or historical racial identities from source material, making a race swap impossible under the given definition.
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