Viewer Rating
Combines user and critic ratings from four sources

Kembra Pfahler invites director Richard Kern to document her latest piece of provocative performance art.
Kembra Pfahler invites director Richard Kern to document her latest piece of provocative performance art.
The film's exploration of female agency through transgressive acts and its subversion of traditional gender roles inherently challenge conservative norms, aligning its dominant themes with left-leaning critiques of societal structures.
The film's casting appears to be traditional, without explicit DEI-driven choices for race or gender swaps. Its narrative does not feature explicit critiques of traditional identities from a DEI perspective, aligning with a more traditional framing.
The Sewing Circle depicts women engaging in extreme, often self-destructive, sexual acts, including same-sex encounters. These are presented within a transgressive and disturbing framework, associating non-heteronormative sexuality with degradation and shock value, thus offering a problematic portrayal of LGBTQ+ themes.
The film 'The Sewing Circle' (1992) does not include any identifiable transsexual characters or themes. Its narrative primarily explores extreme sexual acts and self-mutilation within a group of women, without addressing gender identity or transition.
The movie does not contain any action or adventure elements.
The film "The Sewing Circle" (1992) is an original work by Richard Kern and is not an adaptation of pre-existing material with established characters or historical figures whose genders could be swapped. All characters are original to the film.
The film "The Sewing Circle" (1992) is an original production by Richard Kern, not an adaptation of existing source material or a biopic of historical figures. Therefore, its characters are new and original to the film, precluding any instance of a race swap.
Combines user and critic ratings from four sources























