Leans Traditional
6.9
The Fugitives
(1986)
Political: Center
Diversity: Low
Comment Max fait le tour du monde (1911)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Buddhism: Negative
Hinduism: Negative
Islam: Negative
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's primary objective is lighthearted, character-driven comedy focused on the protagonist's travel misadventures, which inherently lacks significant political commentary or ideological promotion. The narrative's problem and solution are personal and comedic, not societal or political.
This early 20th-century silent comedy features a predominantly traditional cast, typical of its era, with no evidence of intentional diversity-driven casting or race/gender swaps. The narrative focuses on the comedic misadventures of its white, male protagonist without offering any critique of traditional identities or incorporating explicit DEI themes.
Secondary
Buddhism, if depicted in East Asian settings, is likely presented through superficial and stereotypical visual gags or cultural contrasts. The film's comedic approach would likely highlight perceived 'foreignness' without challenging or subverting negative perceptions.
Should the film feature scenes in India, Hinduism would likely be portrayed through exoticized and stereotypical visuals of rituals or adherents. These depictions would serve as comedic fodder, reinforcing 'otherness' rather than offering respectful or nuanced insight.
The film, typical of its era's travelogues, likely depicts Islamic cultures through exoticized and stereotypical imagery, using them as a backdrop for comedic misunderstandings rather than offering nuanced portrayal. This reinforces 'otherness' and plays into existing Western biases.
This early 20th-century silent comedy, 'Comment Max fait le tour du monde,' focuses on Max Linder's character undertaking a global adventure for a wager. The narrative contains no discernible LGBTQ+ characters or themes, resulting in a determination of N/A for its portrayal.
This 1914 silent comedy by Max Linder does not contain any identifiable transsexual characters or themes. The narrative centers on comedic situations encountered during a world tour, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This 1911 silent film features original characters, primarily Max Linder's 'Max.' There is no pre-existing source material, historical record, or prior canon for these characters to establish an original gender that could then be swapped.
This 1911 film is an original work, not an adaptation of pre-existing material with established character races. Therefore, no character could have been canonically, historically, or widely established as a different race prior to this film's creation.
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