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In England, Dr. Greg Fong invents a super steroid (SS160) which can cure virtually all illnesses and disorders (including impotence and idiocy) and generally makes someone superhuman. But his obsession with the super drug, begins making him mentally unbalanced. After the death of his co-worker, Fong returns to Hong Kong with his new wonder drug and begins working with old friend Dr. Mike Chow (Mark Cheng) Mike (who sells black market kidneys) then drugs and rapes his Fong's girlfriend Vivian who falls for him in return (!). Fong takes the affair as good reason to do a bit of human medical tests, and begins doing secret medical experiments on Dr. Chow, as well as a host of other patients, notably including policeman Chan Sum who begins turning superhuman.
In England, Dr. Greg Fong invents a super steroid (SS160) which can cure virtually all illnesses and disorders (including impotence and idiocy) and generally makes someone superhuman. But his obsession with the super drug, begins making him mentally unbalanced. After the death of his co-worker, Fong returns to Hong Kong with his new wonder drug and begins working with old friend Dr. Mike Chow (Mark Cheng) Mike (who sells black market kidneys) then drugs and rapes his Fong's girlfriend Vivian who falls for him in return (!). Fong takes the affair as good reason to do a bit of human medical tests, and begins doing secret medical experiments on Dr. Chow, as well as a host of other patients, notably including policeman Chan Sum who begins turning superhuman.
The film likely focuses on universal themes of justice and the rule of law, portraying an individual's fight against corruption within the established legal system, which allows for a neutral interpretation without explicitly endorsing a specific political ideology.
This Hong Kong film features a cast primarily composed of East Asian actors, which, while traditional for its region, introduces diversity when viewed from a global mainstream perspective. The narrative does not engage in critical portrayals of traditional identities or explicitly center on DEI themes.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film "Trust Me U Die." Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The 1998 horror film "Trust Me U Die" does not feature any identifiable transsexual characters or themes. While a male character, Sam, is depicted as a cross-dresser, his portrayal does not delve into gender identity, dysphoria, or other aspects specific to transsexual experiences, rendering the film N/A for this evaluation.
The movie does not contain any action or adventure elements.
This film is an adaptation of Molière's play "Le Médecin malgré lui." While character names are updated, there is no indication that any major character whose gender was established in the original play has been portrayed as a different gender in this adaptation.
The film "San giu cheung yee sang" (The Doctor, 1999) is an original Hong Kong production. There is no evidence of prior source material or historical figures establishing characters of a different race than those portrayed, thus no race swaps occurred.
Combines user and critic ratings from four sources























