3.9
Viewer Rating
Combines user and critic ratings from four sources
Carmen - Glyndebourne Festival Opera (1985)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 3.9
Overview
Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Race Swap: Yes
Christianity: Positive
Overview
Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
This opera production primarily explores universal human themes of passion, freedom, and fate through a tragic narrative, rather than explicitly promoting a specific political ideology. Its core conflicts are personal and dramatic, not political.
This production of Carmen features traditional casting without explicit race or gender swaps of roles. The narrative, while portraying a male character negatively, does so within a character-driven tragedy rather than as an explicit critique of traditional identities or as a central DEI theme.
Secondary
The character Carmen, canonically a Romani woman in the source material, is portrayed by an actress of African-American heritage in this 1985 opera production, constituting a race swap.
The film portrays Christianity as the moral and cultural foundation for characters like Micaëla, who embodies its virtues sympathetically. Don José's tragic descent is implicitly linked to his abandonment of his Christian-aligned life, suggesting a narrative alignment with the dignity of the faith's principles.
This production of Bizet's classic opera Carmen focuses on the heterosexual relationships and dramatic conflicts central to the original story. There are no identifiable LGBTQ+ characters or themes present in the narrative.
This film, an adaptation of the opera 'Carmen,' does not include any identifiable transsexual characters or themes. The narrative focuses on the original opera's plot and characters, which do not involve transgender identity.
The movie does not contain any action or adventure elements.
This 1985 Glyndebourne Festival Opera production of "Carmen" adheres to the traditional casting of the original opera. All major characters, such as Carmen, Don José, and Escamillo, retain their canonically established genders.
Viewer Rating Breakdown
User Ratings
7.7
N/A
Critic Ratings
N/A
N/A
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